I first saw John Adams' Nixon in China at BAM in 1987, weeks after my son was born. The opera was as brand-new as Bernie. I connected with its breathless exhilaration - the Nixons' discovery of a new world, of new realms of feeling, of new purpose and possibility. I was not alone. At that New York premiere, you didn't have to be a first-time father to know that something … [Read more...] about Nixon in China at the Met
What the embattled NEH does for education: a case in point
The National Endowment for the Arts and the National Endowment for the Humanities are endangered by impending Congressional budget cuts. Few people know what these agencies do - which is to say, it's little appreciated how vitally they contribute to American lives, and how disproportionate their contributions are in relation to their very modest budgets. A pair of events in … [Read more...] about What the embattled NEH does for education: a case in point
Pittsburgh and Tchaikovsky
For American orchestras, these are changing and bewildering times - and will become moreso if Congress sees fit to de-fund the nation's invaluable arts endowments (whose functions are little known or understood by the public at large). A lingering conventional wisdom prioritizes a "big five" symphonic constellation: the orchestras of Boston, New York, Philadelphia, Cleveland, … [Read more...] about Pittsburgh and Tchaikovsky
Eavesdropping on Tchaikovsky’s Russia
The American businessman Julius Block, who introduced the phonograph to Russia in 1889, proceeded to record many hours of music performed by the leading instrumentalists, composers, and singers of Moscow. The astounding "Block cylinders," thought lost, were discovered in 2002 -- and subsequently turned into listenable CDs by Ward Marston. For the recent Pittsburgh Symphony … [Read more...] about Eavesdropping on Tchaikovsky’s Russia
The Gershwin Moment (continued)
THE GERSHWIN MOMENT (CONTINUED) As readers of this blog are aware, I have for some time been proclaiming a "new Gershwin" - in, e.g., the New York Times and the Times Literary Supplement. In Classical Music in America (2005), he ranks with Ives as our most important concert composer (my view of Copland, in that book, irked some reviewers). My book-in-progress is a study of … [Read more...] about The Gershwin Moment (continued)