My “manifesto for the future of American classical music,” in the current issue of The American Scholar, attempts in 7,000 words to present a viable blueprint for change. My main point of reference is a contextualized performance of Shostakovich’s Leningrad Symphony last February by the South Dakota Symphony – which I write “may plausibly be considered the most … [Read more...] about “Shostakovich in South Dakota — A Manifesto for the Future of American Classical Music”
Search Results for: shostakovich in south dakota
“Shostakovich in South Dakota” on NPR — A New Template for Orchestras
My NPR “More than Music” program “Shostakovich in South Dakota” can now be accessed here. I document the impact of a remarkable contextualized performance of Shostakovich’s Leningrad Symphony by Delta David Gier and his singular South Dakota Symphony last February – and ponder its significance for the future of embattled American orchestras … [Read more...] about “Shostakovich in South Dakota” on NPR — A New Template for Orchestras
Shostakovich in South Dakota
I’m in Sioux Falls, where the South Dakota Symphony – to my knowledge, the most genuinely innovative American orchestra – is performing Shostakovich’s Seventh Symphony Saturday night at 7:30 pm Central Time. A 30-minute preamble (which I’ve scripted) explores the extraordinary context of this work. It’s all being livestreamed … [Read more...] about Shostakovich in South Dakota
Yet Again — The South Dakota Symphony
As readers of this blog now know by heart, I regard the South Dakota Symphony as a national exemplar. I’ve written about their Lakota Music Project, which connects the orchestra to Indian reservations throughout the state. I’ve extolled their ingeniously contextualized performances of Silvestre Revueltas’s Redes, of Shostakovich’s Leningrad Symphony, … [Read more...] about Yet Again — The South Dakota Symphony
Curating American Repertoire in South Dakota
The South Dakota Symphony concert I last wrote about in this space has now come and gone. In every way, it fortified my impression that this is an orchestra that deserves to be a national model. The program comprised Lou Harrison’s Piano Concerto and Rimsky-Korsakov’s Scheherazade. That is: it introduced to Sioux Falls an American masterpiece that is … [Read more...] about Curating American Repertoire in South Dakota