My “manifesto for the future of American classical music,” in the current issue of The American Scholar, attempts in 7,000 words to present a viable blueprint for change. My main point of reference is a contextualized performance of Shostakovich’s Leningrad Symphony last February by the South Dakota Symphony – which I write “may plausibly be considered the most … [Read more...] about “Shostakovich in South Dakota — A Manifesto for the Future of American Classical Music”
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“Shostakovich in South Dakota” on NPR — A New Template for Orchestras
My NPR “More than Music” program “Shostakovich in South Dakota” can now be accessed here. I document the impact of a remarkable contextualized performance of Shostakovich’s Leningrad Symphony by Delta David Gier and his singular South Dakota Symphony last February – and ponder its significance for the future of embattled American orchestras … [Read more...] about “Shostakovich in South Dakota” on NPR — A New Template for Orchestras
Shostakovich in South Dakota
I’m in Sioux Falls, where the South Dakota Symphony – to my knowledge, the most genuinely innovative American orchestra – is performing Shostakovich’s Seventh Symphony Saturday night at 7:30 pm Central Time. A 30-minute preamble (which I’ve scripted) explores the extraordinary context of this work. It’s all being livestreamed … [Read more...] about Shostakovich in South Dakota
Stravinsky, Elmer Fudd, and the South Dakota Symphony
The final NEH-funded, multi-media “Music Unwound” concert featuring the South Dakota Symphony took place last Saturday night. I cast myself in a cameo role, playing the Soldier in three excerpts from Stravinsky’s The Soldier’s Tale. I modelled my impersonation on Elmer Fudd. The main events, however, were Ravel’s Piano Concerto in G with Jean-Efflam Bavouzet and … [Read more...] about Stravinsky, Elmer Fudd, and the South Dakota Symphony
“Ripeness Is All” — Is the South Dakota Symphony’s Mahler Really Better than Klaus Makela and the Oslo Phil?
Many readers have responded to a series of recent blogs in which I’ve pondered the bewildering appointment of Klaus Makela, age 28, to become music director of the Chicago Symphony beginning in 2027. Some have expressed incredulity that I prefer Delta David Gier’s South Dakota Symphony reading of Mahler’s Third to Makela’s with his superb Oslo Philharmonic. As it … [Read more...] about “Ripeness Is All” — Is the South Dakota Symphony’s Mahler Really Better than Klaus Makela and the Oslo Phil?