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Greg Sandow on the future of classical music

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Archives for November 2015

Making Lulu musical

November 24, 2015 by Greg Sandow

[contextly_auto_sidebar] I’ve seen two powerful operas in the past week — Philip Glass’s Appomattox at the Washington National Opera, and Lulu at one of the Met’s HD movie showings. Appomattox might be Philip’s masterpiece, and certainly the evenings I spent with it — I saw it twice — were some of the most intense and rewarding time I’ve ever had with classical music. I’ll write about it after Thanksgiving, but now I’ll share some thoughts about Lulu that I posted on Facebook. The new William Kentridge production (a work of art in itself) is … [Read more...]

Time to help

November 20, 2015 by Greg Sandow

[contextly_auto_sidebar] I’m often asked to support things out in the classical music world — causes, performances, projects, groups, crowdfunding campaigns. And I almost always don’t do it, because when these requests get numerous, they could overwhelm both me and the blog. And diminish whatever force my support might have. But Groupmuse is an exception. They’ve just begun a Kickstarter campaign, and I urge to you support it. I’m going to. This is an organization I’ve underestimated. Maybe not entirely my fault, because I think they … [Read more...]

In the wavelength

November 17, 2015 by Greg Sandow

[contextly_auto_sidebar] Audience engagement — it’s a weak strategy. Never mind that it can seem to work. A friend sent me notes from the National Arts Marketing Project Conference, with details of the Cleveland Public Theater, and its impressive season, full of plays on subjects that just seem to scream contemporary relevance. But still they wanted to boost attendane on slow nights. So they added some audience engagement — attrractive things, happening all around the art, in this case free beer — and ticket sales went up. Which … [Read more...]

Words that worry me

November 12, 2015 by Greg Sandow

[contextly_auto_sidebar] Audience engagement. Such a buzzphrase in the arts these days. The subject of the National Arts Marketing Project Conference, held in Salt Lake City November 6th through 9th.A conference full of useful suggestions, hopeful case studies. Success stories! In which arts organizations learned to engage their audience. A week or so earlier, Matt Lehrman — a terrific “Audience and Customer Experience (ACX) expert” (as he describes himself) — and fellow ArtsJournal blogger — asked me about audience engagement. Did I have … [Read more...]

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

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How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

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