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David Jays on theatre and dance

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Propwatch: the strap-on in When We Have Sufficiently Tortured Each Other

February 12, 2019 by David Jays 2 Comments

12 variations on a prop 1 garage There is stuff you expect to find in a garage. A car (an Audi, registration FE13 MXP). Metal shelving, peg board. Strip lighting that tints everything stark and queasy. A toolbox. Gaffer tape. An Amazon delivery box (there’s always a swoosh-marked Amazon box). They’re all here in Vicki Mortimer’s design. There’s also a strap-on. 2 set-up The plot of … [Read more...]

She thought

April 20, 2016 by David Jays Leave a Comment

‘Could you tell these were by women choreographers?’ asked my neighbour during an interval of English National Ballet’s She Said. Good question. How would you know?Could you tell that the opera I saw the following evening – Lucia di Lammermoor – was directed by a woman, Katie Mitchell? Good question – but impossible. Start slapping labels on aesthetic qualities – feminine/masculine – and you’re … [Read more...]

Change the world, one hero at a time

February 23, 2016 by David Jays Leave a Comment

From dude to dodo is a trick of vowels and imagination. Maybe, if we’re tired of seeing men dominate our stages, we need to exercise our imaginations, especially when it comes to casting. Unexpectedly, Shakespeare is leading the way. Shakespeare productions swapped gender from the word go, with the all-male Elizabethan companies. Sarah Bernhardt, Angela Winkler and Frances de la Tour have since … [Read more...]

On the brink

November 14, 2014 by David Jays Leave a Comment

Katie Mitchell directs The Cherry Orchard It’s not dark yet, but it’s getting there. I haven’t seen Katie Mitchell’s polarising 2071 at London’s Royal Court – an animated TED warning about falling off the climate change cliff – but the honed steel of the director’s Cherry Orchard at the Young Vic makes a similar argument with baleful panache. Snowclouds of cherry blossom, a backdrop shimmer … [Read more...]

David Jays

I am a writer and critic on performance, books and film and currently write for, among others, the Sunday Times and the Guardian. I edit Dance Gazette, the magazine of the Royal Academy of Dance. I’m also a lifelong Londoner: it’s the perfect city for connecting to art forms that both look back and spring forward. [Read More]

Performance Monkey

This is what theatre and dance audiences do: we sit in the dark, watching performances. And then, if it seems worth it, we think about what we've seen, and how it made us feel. The blog should be a conversation, so please comment on the posts and add your thoughts. You know what I've always … [Read More...]

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