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David Jays on theatre and dance

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Archives for October 2015

Come for the sex dolls, stay for the protest

October 19, 2015 by David Jays Leave a Comment

The Young Vic is calf deep in sex dolls. Tacky plastic fake-flesh spills over the stage as Measure for Measure begins, a ‘huge peach heap of vinyl orifices,’ as critic Natasha Tripney wrote. Mouths agape, legs akimbo, pneumatic and tumescent, it’s a prospect of everready rut. Officials pick their way gingerly through them: the deputy Angelo (Paul Ready) raising his bible to avoid … [Read more...]

No hope for Hamlet

October 15, 2015 by David Jays 5 Comments

Benedict Cumberbatch made me cry at Hamlet. Or, more precisely, at the curtain call, with a beautifully feeling, indignant and compassionate appeal for Save the Children’s work in the Syrian refugee crisis. Much of that intelligence and eloquence is in his eagerly awaited prince (the expectancy and rose of the fair state, and then some) – delivered to the most attentive audience in London –but … [Read more...]

Sweet enough for you?

October 8, 2015 by David Jays Leave a Comment

Advance booking for the theatre can backfire. I saw Medea at London's Almeida Theatre yesterday, so missed the UK’s major television event – the final of the Great British Bake Off. Medea was, yeah, interesting and all – but it didn’t produce the swirls of joy and empathetic tears provoked by Nadiya Hussain’s three-tiered victory. I have only just left BBC i-player, my cheeks a lemon drizzle of … [Read more...]

David Jays

I am a writer and critic on performance, books and film and currently write for, among others, the Sunday Times and the Guardian. I edit Dance Gazette, the magazine of the Royal Academy of Dance. I’m also a lifelong Londoner: it’s the perfect city for connecting to art forms that both look back and spring forward. [Read More]

Performance Monkey

This is what theatre and dance audiences do: we sit in the dark, watching performances. And then, if it seems worth it, we think about what we've seen, and how it made us feel. The blog should be a conversation, so please comment on the posts and add your thoughts. You know what I've always … [Read More...]

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Recent Comments

  • Veronica Horwell on Hamilton | Lockdown Theatre Club 17: “Know what you mean about the underpowered pre-17late90s shoulder: a bottle slope approach to body outline — the Hamilton coats…” Jul 8, 13:41
  • Sarah Lenton on Hamilton | Lockdown Theatre Club 17: “Blimey. A tour de force! Hugely enjoyable. Slight demur on whether a period raised fist would have produced a scrunched…” Jul 7, 21:44
  • william osborne on Hamilton | Lockdown Theatre Club 17: “An article that analyzes the serious problems with “Hamilton” by Ed Morales, a journalist and lecturer at Columbia University’s Center…” Jul 7, 20:20
  • william osborne on Hamilton | Lockdown Theatre Club 17: “Indeed, in the late 18th century people learned that properly toned-down attire was important for slave owners proclaiming democracy. And…” Jul 7, 19:28
  • David Jays on Bringing Up Baby | Lockdown Theatre Club 16: “Hello Ana, and thanks so much for this. Joining in is, I hope, easy: we all find the film on…” Jul 3, 16:02
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  • Hamilton | Lockdown Theatre Club 17
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