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Jumper

Diane Ragsdale on what the arts do and why

Guest blogging this week on two sites

No Jumper post this week as I have the great honor to be blogging on two other sites. Laura Zimmerman at the Minnesota-based McKnight Foundation invited me to submit a post on the subject “What is the role of an artist in the world today?” for its new State of the Artist blog. My post, The Professional Lens: Are we a sector of underemployed ‘professional’ artists or successful ‘pro-ams’? is now live. I hope you will find time to read it and comment.

Additionally, Arlene Goldbarb (writer, speaker, social activist, and consultant) and Barry Hessenius (author, consultant, public speaker, and well know for Barry’s Blog) have asked me to contribute to their online event, Clout: A Blogfest on Art and Political Power. The question they’ve posed to guest bloggers: “The way we’ve been doing arts advocacy for the past 30 years isn’t working; what would you do to develop real political clout?” Arlene and Barry have done a terrific job priming this converation in the form of a debate between the two of them. Check it out at the link above; and I hope you’ll check back throughout the week to read my post (The NEA: An idea whose time has come and gone?), as well as the posts by my fellow bloggers (all of whom I adore): Dudley Cocke (Roadside Theater), Roberto Bedoya (Tucson Pima Arts Council), and Ra Joy (Arts Alliance Illinois).

My sincere thanks to Laura (and the McKnight Foundation), Arlene, and Barry for the opportunity to participate in these important discussions.

I’ll be taking a hiatus from Jumper the next few weeks due to travel and other deadlines but I’ll be back in April, with the tulips.

Tulip fields in Holland

D.

 

 

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Recent Comments

  • Andrew Taylor on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Love this line of thinking, Diane! Although I also wonder about the many small, safe-to-fail ways you could explore randomness…” Feb 21, 22:54
  • Rick Heath on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Thanks Dianne Compelled and confused! (Not for the first time, and not entirely because of your words, but somewhat because…” Feb 5, 07:20
  • Diane Ragsdale on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Hi Ella! Thanks so much for taking the time to read and engage with the post. Thank you for reminding…” Feb 2, 18:19
  • Diane Ragsdale on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Caroline! Thanks so much for reading and sharing reflections. I am compelled by your idea to have an entire college…” Feb 2, 18:18
  • Diane Ragsdale on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Margaret, Thank you for taking the time to read and comment and for the warm wishes for my recovery. I…” Feb 2, 16:57

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A Few Things I’ve Written

"Surviving the Culture Change", "The Excellence Barrier", "Holding Up the Arts: Can We Sustain What We've Creatived? Should We?" and "Living in the Struggle: Our Long Tug of War in the Arts" are a few keynote addresses I've given in the US and abroad on the larger changes in the cultural environment and ways arts organizations may need to adapt in order to survive and thrive in the coming years.

If you want a quicker read, then you may want to skip the speeches and opt for the article, "Recreating Fine Arts Institutions," which was published in the November 2009 Stanford Social Innovation Review.

Here is a recent essay commissioned by the Royal Society for the Encouragement of the Arts for the 2011 State of the Arts Conference in London, "Rethinking Cultural Philanthropy".

In 2012 I documented a meeting among commercial theater producers and nonprofit theater directors to discuss partnerships between the two sectors in the development of new theatrical work, which is published by HowlRound. You can get a copy of this report, "In the Intersection," on the HowlRound Website. Finally, last year I also had essays published in Doug Borwick's book, Building Communities Not Audiences and Theatre Bay Area's book (edited by Clay Lord), Counting New Beans.

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