Roscoe Mitchell onscreen, presiding over The Art Ensemble of Chicago, Pritzker Pavillion Millennium Park Chicago, 8/30/19photo (c) Marc PoKempner The 41st annual Chicago Jazz Festival has come and gone, as I reported for DownBeat.com in quick turnaround. I stand by my lead that the music was epic -- cf. Marc PoKempner's beautiful image of the Art Ensemble of Chicago at Pritzker Pavillion, facing east towards Mecca just before their African percussion-driven orchestral set. And epochal, yes: the Art Ensemble is 50 years old, as discussed … [Read more...]
Transcending Toxic Times with street poetry & music
My DownBeat article about Transcending Toxic Times, the compulsively listenable, critically political album by the Last Poets produced by electric bassist/composer Jamaaladeen Tacuma, includes a lot of quotes from my interviews with him and poet Abiudon Oyewale. from left: Baba Donn Babatunde, Jamaaaladeen Tacuma (in front), Umar Bin Hassan, Abiodun Oyewole I reproduced some of the searing imagery/lyrics on the recording, and provided background on how these men have been calling out American mendacy and hypocrity for half-a-century, as … [Read more...]
Dr. John, Back in the Day and Blindfolded
Dr. John the Night Tripper -- Mac Rebbanack, New Orleans' musical fabulist, dead June 6 at age 77 -- dazzled me at one of the first rock shows I recall attending, at Chicago's Aragon Ballroom circa 1969. Dr. John, Vienna 2011, photo by Sánta István Csaba I was then enthralled by Gris-gris, his murky, obscure and carnivalesque debut album, having never heard anything like it (and I still haven't -- thanks perhaps to the great, less- heralded producer Harold Battiste). I was thrilled to Blindfold Test Mac for DownBeat in 1984. He came … [Read more...]
Black Chicago music fest producers: The costs of “free”
Chicago offers, surprisingly enough, many opportunities to catch exciting, accomplished and emerging music across genres, with oodles of concerts free of charge, meaning they have to funded by others than attendees. Our extraordinary summer events season launched last weekend with the city-sponsored, all-free 34th Annual Chicago Gospel Festival in Millennium Park and I'm psyched for the 36th Annual Chicago Blues Festival next weekend (planning to somehow dart off to the Printers Row Lit Fest, simultaneously at the opposite end of the Loop) as … [Read more...]
Digging Our Roots videos, speakers inspire engagement
Billy Branch watches Sonny Boy (Rice Miller) Williamson II; photo by Alan Frolichstein Nearly 100 Chicagoans (maybe some visitors?) watched Muddy Waters, Howlin' Wolf, Junior Wells, Buddy Guy and other heroes of the blues on videos at the Cultural Center Thursday night (5/23/19), with harmonica star Billy Branch and WDCB program host Leslie Keros telling stories and participated in lively interplay with knowing attendees. It was the fifth Digging Our Roots: Chicago's Greatest Hits "listening session" this spring, co-presented by the Jazz … [Read more...]
2018 jazz, blues and beyond deaths w/ links
Cecil Taylor, March 15, 1929 – April 5, 2018, photo by Sánta István Csaba Not a happy post, but a useful one: here are the hundreds of musicians and music industry activists who died in 2018, as compiled by photographer-writer Ken Franckling for the Jazz Journalists Association. Ken scoured local newspapers, the Jazzinstitut Darmstadt newsletter, AllAboutJazz.com, Wikipedia, the New York Times, Legacy.com, Rolling Stone, Variety, JazzTimes.com, blogs, listserves, Facebook pages and European publications. Links to their fuller … [Read more...]
Legacies of Music Makers
The deaths of multi-instrumentalist Joseph Jarman, best known as the face-painted shaman of the Art Ensemble of Chicago, and Alvin Fielder, re-conceptualizing drummer, remind us that artists' contributions to music extend beyond recordings and awards. Read my essay at NPR Music, commissioned by Nate Chinen of WBGO, on the enduring legacies of Jarman and Fielder, both founding members of the still thriving Association for the Advancement of Creative Musicians (AACM) NY and Chicago). … [Read more...]
Extraordinary Popular Delusions, Chicago free improv all-stars
Jim Baker, keys& synth; Brian Sandstrom, bass; Steve Hunt, drums; Ed Wilkerson, saxes, didgeridoo, oud, Mars Williams, reeds and toys -- photo by Marc PoKempner Keyboardist and synthesizer specialist Jim Baker has led the collective quartet Extraordinary Popular Delusions playing every Monday night in obscure Chicago venues for the past 13 years. My article on EPD, which features saxophonists Mars Williams and Edward Wilkerson Jr. (they switch off), multi-instrumentalist (bass, guitar, trumpet) Brian Sandstrom and percussionist/drummer … [Read more...]
Labor Day jazz fests, starting with Chicago’s
The 40th annual Chicago Jazz Festival, four days free to all of unfettered, usually joyous music held in beautiful downtown Millennium Park, started last night with stars of of the local scene celebrating "Legends and Lions". Add "Ancient to the Future" to set the tone for a weekend of exciting, civically-supported music here -- and similar outpourings of jazz and blues -- America's vernacular musics -- are offered throughout the U.S. this Labor Day weekend. A quick search turns up music fests in the next days from Augusta, Georgia (Labor … [Read more...]
“In C” for performance on any laptop, thanks to LUTE
Terry Riley's 1964 ingenious, joyful and warm composition "In C" can now be performed by anyone with a laptop, regardless of their previous musical or technological experience. On Sunday 8/12/18, the Loyola University Technology Ensemble (LUTE) organized a participatory concert of the sublime communitarian piece -- which comprises 53 brief melodic figures, to be played in loose succession and synchronization, usually to the steady pulse of ringing Cs played on the piano to keep the beat -- at Access Contemporary Music's third annual Thirsty … [Read more...]
Synth and-sushi bar, Chicago (future jazz, present tense)
K-rAd freely improvised and spontaneously composed an original, pulsing, burbling, chiming, floating and ripping, multi-layered, deep and flowing funky-bassed, percussion-lively suite over about three hours last night (7/25/18), using his elaborate, sound-unbound Euro-rack synthesizer setup to stir, smooth and spice social interactions in a seemingly unlikely Chicago venue for such a thing. Down an alley, through a back door (see the bright red arrow) down in a basement of Sushi Dokku in Chicago's fashionable W. Randolph Street dining … [Read more...]
Cecil Taylor, dead at 89, as celebrated when he’d turned 80
The brilliant, challenging, perplexing and incomparable pianist/improviser/composer Cecil Taylor died April 5, 2018, at age 89. Here's what I wrote of him to celebrate his 80th birthday: Cecil Taylor, unique and predominant, 80 years old 3 27 09 Cecil Taylor is the world's predominant pianist by virtue of his technique, concept and imagination, and one of 20th-21st Century music's magisterial modernists. A figure through whose challenges I investigate the avant garde in Miles Ornette Cecil -- Jazz Beyond Jazz, he turned 80 on March 25 (or … [Read more...]
Is NYC (still) capital of jazz?
The early January concurrence of the Jazz Connect conference, the annual convention of APAP (Association of Performing Arts Presenters), Global Fest and Winter JazzFest makes a good case for Manhattan being the capital of jazz-and-beyond. It's inarguably true that creative sound-organizing with improvisation and rhythm is world-wide, and our native version -- jazz and its derivatives -- thrives throughout in the US, even in places it's overlooked. And the record biz centralized in NYC, which fed this music's market segment from the '20s … [Read more...]