Tania Leon, 2021 winner of the Pulitzer Prize for music composition, has not often been interviewed in the popular press, so here's a Q&A I conducted with her as published in 1989 by Ear magazine, and Jeremy Robins' 2007 Composers Portrait of her, commissioned by American Composers Orchestra. Tania Leon, Assistant conductor of the Brooklyn Philharmonic, has distinguished herself as a proponent of music without category beyond a standard of excellence. Her enthusiasm for contemporary composers regardless of gender, race or national … [Read more...]
Record man Koester’s blues and jazz legacy
Chicagoan Bob Koester, proprietor of the Jazz Record Mart and Delmark Records for nearly 70 years, is a model of music activism and entrepreneurship from an era rapidly receding and unlikely in current business circumstances. Neil Genzlinger did a nice formal New York Times obit, and I've written a remembrance for the Chicago Reader. Although some independent record stores dealing new and used physical recordings remain in Chicago, I know of none co-joined to an active independent record company, and at the hub of a metropolis-wide … [Read more...]
Boogie-man Helfer bounces back from covid-depression
Erwin Helfer, the 84-year-young Chicago pianist of heartfelt blues, boogie, rootsy American swing and utterly personal compositions, has told his tale of covid-19-related profound depression, hospitalization, treatment and recovery to the Chicago Sun Times. I'm a longtime friend, ardent fan and two-time record producer of Erwin's, and had lunch with him soon after the article ran. He was in fine fettle -- a great relief to me and the rest of the large, devoted community that's been deeply concerned about his health since April, when his … [Read more...]
RIP Annie Ross: Her last stand with Jon Hendricks
Annie Ross, who died July 21 at age 89, sold "Loch Lomond" as a seven-year- old in the Little Rascals with brass equal to her hero in "Farmers Market" hawking beans. The child of Scottish vaudevillians, she was maybe never shy. In 2002 I reported on her last stand with fellow vocalese icon Jon Hendricks, at the Blue Note in Manhattan for the newspaper City Arts. The second-to-last set ever to be sung by Hendricks and Ross, two-thirds of the vocal trio once hailed as "the hottest new group in jazz" was delightful, sad, instructive and … [Read more...]
Revered jazz elders, deceased: portraits by Sánta István Csaba
As a generation of jazz elders leaves our world -- some hastened by the pandemic -- their faces as photographed by Sánta István Csaba become even more luminous, haunting, iconic. Originally from Transylvania and currently living in Turin, the northern Italian area with heaviest covid-19 infections, Sánta reports that he is healthy, employed at the reception desk of a nearby school, and has recently been honored with a Hungarian Press Photo Award. However, with the lockdown, that Awards ceremony has been indefinitely postponed. … [Read more...]
Future Jazz past: Hal Willner, circa 1992
The death of funny, smart, idiosyncratic, unique music producer Hal Willner at age 64 saddens me. We were East Village neighbors in the go-go '90s, flush with ideas to try in the future. Here's my entry about him from Future Jazz (Oxford U Press, 1999). CONCEPT PRODUCER AS VISIONARY "My projects happen mostly by accident," claims Hal Willner, soundtrack producer of Robert Altman's films including Short Cuts, based on short stories by the late American "dirty realist" writer Raymond Carver and Kansas City, a paean to jazz during … [Read more...]
JazzOnLockdown: Musicians, venues, .orgs — writers? — turn to live-streaming
It's the most obvious, available and so far low-cost option for anyone who can cast a performance online for public consumption -- jazz musicians specifically included: Live-streaming. Fred Hersch has been first out of the box, committing to live-streaming daily mini concerts from his living room, 1pm Eastern Daily Time (10am PST, 7pm in Europe) -- https://www.facebook.com/fredherschmusic. As New York, California, Illinois and other U.S. locales request and/or require a suspension of public gatherings, the personal … [Read more...]
Jazz vs. lockdown: Blogs w/ vid clips defy virus muting musicians
Jazz doesn't want to stay home and chill -- so members of the Jazz Journalists Association launched on Monday, 3/15/2020, JazzOnLockdown: Hear It Here, a series of curated v-logs featuring performance videos of musicians whose gigs have been postponed or cancelled due to coronavirus concerns. The initial JOL post, by Madrid blogger Mirian Arbalejo (of MissingDuke.com) is dedicated to Marcelo Peralta, Argentine born/Spanish resident saxophonist-composer-arranger who is reportedly the first jazz musician to succumb to the illness. The … [Read more...]
Mardi Gras’ lewd Krewe, Marc Pokempner’s photos
Krewe du Vieux Carré puts on the most satirical and scatalogical of New Orlean's pre-Mari Gras parades, says photo-journalist Marc PoKempner, whose images © here provide convincing evidence. PoKempner writes: "Our dysfunctional evil-clown-in-chief figured prominently in this years’ Krewe du Vieux parade and the immediately following krewedelusion -- an annual outpouring of satirical, political, scatological and outrageous imagery that can always be counted on to top the charts of the crude, lewd and rude. At once the most topical and most … [Read more...]
Chicago Jazz fest images, echoes
The 41st annual Chicago Jazz Festival has come and gone, as I reported for DownBeat.com in quick turnaround. I stand by my lead that the music was epic -- cf. Marc PoKempner's beautiful image of the Art Ensemble of Chicago at Pritzker Pavillion, facing east towards Mecca just before their African percussion-driven orchestral set. And epochal, yes: the Art Ensemble is 50 years old, as discussed in my radio piece for NPR's Here and Now). Such longevity is remarkable for any jazz or improvisational unit but the more so as the AEC in its … [Read more...]
Transcending Toxic Times with street poetry & music
My DownBeat article about Transcending Toxic Times, the compulsively listenable, critically political album by the Last Poets produced by electric bassist/composer Jamaaladeen Tacuma, includes a lot of quotes from my interviews with him and poet Abiudon Oyewale. I reproduced some of the searing imagery/lyrics on the recording, and provided background on how these men have been calling out American mendacy and hypocrity for half-a-century, as black street seers emerging in the late 1960s -- before poetry jams, signifyin' djs or rappers -- … [Read more...]
Dr. John, Back in the Day and Blindfolded
Dr. John the Night Tripper -- Mac Rebbanack, New Orleans' musical fabulist, dead June 6 at age 77 -- dazzled me at one of the first rock shows I recall attending, at Chicago's Aragon Ballroom circa 1969. I was then enthralled by Gris-gris, his murky, obscure and carnivalesque debut album, having never heard anything like it (and I still haven't -- thanks perhaps to the great, less- heralded producer Harold Battiste). I was thrilled to Blindfold Test Mac for DownBeat in 1984. He came to listen in my grubby East Village apartment. Years … [Read more...]
Black Chicago music fest producers: The costs of “free”
Chicago offers, surprisingly enough, many opportunities to catch exciting, accomplished and emerging music across genres, with oodles of concerts free of charge, meaning they have to funded by others than attendees. Our extraordinary summer events season launched last weekend with the city-sponsored, all-free 34th Annual Chicago Gospel Festival in Millennium Park and I'm psyched for the 36th Annual Chicago Blues Festival next weekend (planning to somehow dart off to the Printers Row Lit Fest, simultaneously at the opposite end of the Loop) as … [Read more...]