Cecil Taylor, March 15, 1929 – April 5, 2018, photo by Sánta István Csaba Not a happy post, but a useful one: here are the hundreds of musicians and music industry activists who died in 2018, as compiled by photographer-writer Ken Franckling for the Jazz Journalists Association. Ken scoured local newspapers, the Jazzinstitut Darmstadt newsletter, AllAboutJazz.com, Wikipedia, the New York Times, Legacy.com, Rolling Stone, Variety, JazzTimes.com, blogs, listserves, Facebook pages and European publications. Links to their fuller … [Read more...]
Legacies of Music Makers
The deaths of multi-instrumentalist Joseph Jarman, best known as the face-painted shaman of the Art Ensemble of Chicago, and Alvin Fielder, Alvin Fielder, drums re-conceptualizing drummer, remind us that artists' contributions to music extend beyond recordings and awards. Read my essay at NPR Music, commissioned by Nate Chinen of WBGO, on the enduring legacies of Jarman and Fielder, both founding members of the still thriving Association for the Advancement of Creative Musicians (AACM) NY and Chicago). Joseph Jarman, bass flute … [Read more...]
Extraordinary Popular Delusions, Chicago free improv all-stars
Jim Baker, keys& synth; Brian Sandstrom, bass; Steve Hunt, drums; Ed Wilkerson, saxes, didgeridoo, oud, Mars Williams, reeds and toys -- photo by Marc PoKempner Keyboardist and synthesizer specialist Jim Baker has led the collective quartet Extraordinary Popular Delusions playing every Monday night in obscure Chicago venues for the past 13 years. My article on EPD, which features saxophonists Mars Williams and Edward Wilkerson Jr. (they switch off), multi-instrumentalist (bass, guitar, trumpet) Brian Sandstrom and percussionist/drummer … [Read more...]
Labor Day jazz fests, starting with Chicago’s
The 40th annual Chicago Jazz Festival, four days free to all of unfettered, usually joyous music held in beautiful downtown Millennium Park, started last night with stars of of the local scene celebrating "Legends and Lions". Add "Ancient to the Future" to set the tone for a weekend of exciting, civically-supported music here -- and similar outpourings of jazz and blues -- America's vernacular musics -- are offered throughout the U.S. this Labor Day weekend. A quick search turns up music fests in the next days from Augusta, Georgia (Labor … [Read more...]
“In C” for performance on any laptop, thanks to LUTE
Terry Riley's 1964 ingenious, joyful and warm composition "In C" can now be performed by anyone with a laptop, regardless of their previous musical or technological experience. On Sunday 8/12/18, the Loyola University Technology Ensemble (LUTE) organized a participatory concert of the sublime communitarian piece -- which comprises 53 brief melodic figures, to be played in loose succession and synchronization, usually to the steady pulse of ringing Cs played on the piano to keep the beat -- at Access Contemporary Music's third annual Thirsty … [Read more...]
Synth and-sushi bar, Chicago (future jazz, present tense)
K-rAd freely improvised and spontaneously composed an original, pulsing, burbling, chiming, floating and ripping, multi-layered, deep and flowing funky-bassed, percussion-lively suite over about three hours last night (7/25/18), using his elaborate, sound-unbound Euro-rack synthesizer setup to stir, smooth and spice social interactions in a seemingly unlikely Chicago venue for such a thing. Down an alley, through a back door (see the bright red arrow) down in a basement of Sushi Dokku in Chicago's fashionable W. Randolph Street dining … [Read more...]
Cecil Taylor, dead at 89, as celebrated when he’d turned 80
The brilliant, challenging, perplexing and incomparable pianist/improviser/composer Cecil Taylor died April 5, 2018, at age 89. Here's what I wrote of him to celebrate his 80th birthday: Cecil Taylor, unique and predominant, 80 years old 3 27 09 Cecil Taylor is the world's predominant pianist by virtue of his technique, concept and imagination, and one of 20th-21st Century music's magisterial modernists. A figure through whose challenges I investigate the avant garde in Miles Ornette Cecil -- Jazz Beyond Jazz, he turned 80 on March 25 (or … [Read more...]
Is NYC (still) capital of jazz?
The early January concurrence of the Jazz Connect conference, the annual convention of APAP (Association of Performing Arts Presenters), Global Fest and Winter JazzFest makes a good case for Manhattan being the capital of jazz-and-beyond. It's inarguably true that creative sound-organizing with improvisation and rhythm is world-wide, and our native version -- jazz and its derivatives -- thrives throughout in the US, even in places it's overlooked. And the record biz centralized in NYC, which fed this music's market segment from the '20s … [Read more...]
Patti Smith’s New Year’s Eve vow: “We must not behave!”
Ushering in 2017 with Patti Smith and band at Chicago's Park West New Year's Eve was inspiriting for us of a certain age and artsy disposition. Grey-haired but loose and limber -- funny, fierce, profane and poetically incantatory -- Smith celebrated her 70th birthday in the city of her origin as if for all boomers and our progeny. At the Riviera Theatre on Dec. 30 she performed the whole of Horses, her winning 1975 debut album; on the 31st, backed by her four-man Nuggets, she offered a mixed bag including Debbie Reynold's plaintive "Tammy," … [Read more...]
Jazz warms Chi spots: Hot House @ Alhambra Palace, AACM @ Promontory
There are good arguments for building venues just for jazz. But speaking of arts communities in general: Most are moveable feasts, fluid, transient, at best inviting to newcomers to the table. It's demonstrable that when jazz players and listeners alight at all-purpose spaces such as Chicago's Alhambra Palace, where Hot House produced the trio of saxophonist David Murray, bassist Harrison Bankhead and percussionist Kahil El'Zabar on Monday, Dec. 12, or The Promontory in Hyde Park, where flutist Nicole Mitchell, cellist Tomeka Reid and … [Read more...]
Dr. Richard Wang, enabler of AACM experimentalists, RIP
In his first college teaching job at Wilson Junior College during the early 1960s, trumpeter Dick Wang encountered a cadre of exploratory young Chicago musicians who would soon form the AACM (Association for the Advancement of Creative Musicians). He encouraged them. He introduced Roscoe Mitchell, Joseph Jarman and Malachi Favors, Anthony Braxton, Henry Threadgill, Ari Brown and others to the writings of Paul Hindemith and Arnold Schoenberg; he instituted weekly a "head-knocking" jam sessions for these players, and cheered on their efforts … [Read more...]
African roots, Middle Eastern extensions in Hyde Park Jazz Fest
Pianist Randy Weston, a magisterial musician at age 90 inspired by jazz traditions and its African basics, and trumpeter Amir ElSaffar, who has devoted himself to incorporating the Middle East's modal, microtonal maqam legacy into compositions for jazz improvisation by members of his Two Rivers Ensemble, were highlights of last weekend's 10th annual Hyde Park Jazz Festival. Both acts brought influences from afar back home. The two-day fest in the neighborhood soon to host Barack Obama's presidential library focused on local performers … [Read more...]
Chi jazz fest 2016, details in photos and words
My DownBeat overview of the 38th annual Chicago Jazz Festival, comprehensive as I could make it, didn't go into depth on any of the couple dozen performances I heard from Sept 1 through 4 in downtown Millennium Park and the Cultural Center. So here, with imagery by my photojournalist colleagues and friends Marc PoKempner and Michael Jackson (whose photo of drummer Dave King of the Bad Plus graced that DownBeat review) are some previously unreported details. Tatsu Aoki's Miyumi Project continues to evolve as the Tsukasa Taiko Legacy … [Read more...]