“This is a partial autobiography. The important things are missing.” — William Cody Maher
The collection includes photographs by Signe Mähler. The German translations are by Walter Hartmann.
The poet reads an excerpt from his poem, “Pornography.”
Arts, Media & Culture News with 'tude
by Jan Herman
by Jan Herman
by Jan Herman

For a high-speed Sunday morning . . . Paul Altman commented on YouTube, “Lennie had the bass and drums recorded, and then using the reel-to-reel technology of that time, slowed them down to half speed, and then recorded the solo as an overdub an octave lower and at 1/2 of the speed released here. Then he sped the whole thing back up by 2X so that the bass and drums returned to their original recorded pitch and speed, but his piano solo was now twice as fast, and an octave higher, than he recorded it at. [Some people think that’s cheating, but] I’m not sure what all the fuss is about. Maybe some people assume that mediocre playing can be made to sound superlative by merely doubling the speed. But it doesn’t work that way. It just ends up sounding like fast, mediocre music.”
by Jan Herman

Report and interview by The Graduate Center, CUNY: “I thought I was prepared, as a nurse to see a death on the floor. But doing a shift witnessing several deaths is overwhelming,” says Fernand A. De Los Reyes, a Ph.D candidate in nursing studies at The Graduate Center of the City University of New York. De Los Reyes works full time as a staff nurse, caring for COVID-19 patients at Mount Sinai Morningside hospital in Manhattan. He adds: “I am praying that those who protest for immediate opening will not end up in the Thermo King tractor trailer for dead bodies parked behind our hospital.”
by Jan Herman

He died at home in Frankfurt, peacefully, surrounded by family. Jürgen Ploog was 85. “Jay,” the name he went by among close friends, was widely regarded as one of Germany’s premiere second-generation Beat writers. But his narrative fiction—like that of William S. Burroughs, a mentor with whom he was associated—was more experimental and closer to Brion Gysin’s or J.G. Ballard’s than to Jack Kerouac’s or Allen Ginsberg’s.
Jay called his style “cut prose,” an adventurous collage technique developed from the cut-up methods formulated by Burroughs and Gysin back in the late 1950s and early 1960s. He was a gifted visual collagist as well, producing hybrid works in recent years such as Flesh Film, a fever dream of a novella originally published in a digital prose-only edition by realitystudio.org, and subsequently perfected in print by Moloko+.
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman

Three Rooms Press has just published RAY BY RAY, a combination memoir-biography by Nicca Ray, daughter of the maverick Hollywood director Nicholas Ray, with an introduction by Samantha Fuller, daughter of another Hollywood maverick, the screenwriter/director Sam Fuller. The publisher will present a livestream book launch Saturday afternoon—May 9 @ 2pm-4pm EST — featuring the […]
by Jan Herman

She’s taking no chances. Gary Lee-Nova has been exploring Bushmiller’s work for many years. This particular effort originated in an email exchange with Denis Kitchen who founded Kitchen Sink Press. Kitchen Sink published five volumes of Bushmiller’s work during the 1980s and ’90s. “We’ve been internet pals for several years,” Lee-Nova says. During the early […]
by Jan Herman

On Tuesday, May 19 at 7:30 p.m., six doctoral students from diverse disciplines will make short video presentations, describing their research in three minutes each. Topics include increasing the efficiency of solar energy, the Black Panthers’ contributions to education, the effectiveness of anti-corruption laws in the U.K. and the U.S., the figure of the “surrogate mother” in American theater and film, how philosophy can improve policing, and the importance of seeds in evolution. See how, even while students can’t physically come to campus, the intellectual life of The Graduate Center continues to thrive.
an ArtsJournal blog