Straight Up | Jan Herman

Arts, Media & Culture News with 'tude

Do You Remember ‘do you remember’ by Emmett Williams?

by

And is it the most rigorous piece of lyrical whimsy in the American poetry canon? I think so.

The poem, “structured by six vertical progressions,” was first published in “Underground,” in 1966. It appeared the following year in “An Anthology of Concrete Poetry,” published by Something Else Press, and most recently appears in “A Something Else Reader.”

do you remember

when I loved soft pink nights
and you hated hard blue valleys
and I kissed mellow red potatoes
and you loved livid green seagulls
and I hated soft yellow dewdrops
and you kissed hard pink oysters …

A Something Else Reader
Newly Discovered, It Was Hidden Away for 50 Years

by

” ‘A Something Else Reader’ is a previously unpublished anthology edited by Dick Higgins in 1972 to celebrate Something Else Press, the publishing house he founded in 1963, and to showcase Fluxus and other experimental artistic and literary forms. … He assembled the table of contents and an introduction into a proposal, which went into his archive, where it was found by scholar and curator Alice Centamore, who compiled the works and assembled it.” — Primary Information

Tent Shaker Vortex Voice
A Poet Inspired by Lucretius and Lauren Eisley

by

Charles Plymell’s extraordinary chapbook “Tent Shaker Vortex Voice” has just been released in a fourth printing by Bottle of Smoke Press. In a new prefatory essay to the long poems “We Heard the Game Lord Speak …” and “Planet Chernobyl,” he writes that he has “drawn upon Lucretius and Loren Eisley,” along with “many great thinkers from Darwin to modern atomic theorists” as well as Shakespeare. Plymell, who recently turned 87, is the author of two dozen books of poetry and prose.

Rimbaud’s Death Is Still Traveling

by

Efe Murad’s Turkish translation of “Rimbaud. Death in Marseille” has just been published. Carl Weissner’s small masterpiece — small only because it isn’t longer — is now a Turkish delight. Murad is a poet and historian, as well as a translator.

Asa Benveniste: Sylvia Plath’s ‘Afterlife’ Neighbor

by

“If Sylvia Plath would likely not have chosen to be buried in Heptonstall, Asa Benveniste definitely chose the location of his own grave, having spent the final years of his life in Hebden Bridge, the valley town that adjoins Heptonstall.” — Jay Jeff Jones

Jack Kerouac at 100, the Beats in Ruigoord

by

Kerouac fans In The Netherlands have been celebrating his centennial with readings, film presentations, and concerts throughout 2022. The celebration will culminate on Oct. 9 at the artists’s village of Ruigoord, near Amsterdam. An international gathering of writers, performers, and scholars will pay tribute, along with keynote speakers Joyce Johnson and Ed Sanders, who are to participate via Zoom.

Celebrating Sylvia Plath
A Poet’s Flame Burns Brighter Than Ever

by

“It’s a late winter’s afternoon on the top of Cross Hill, with Hardcastle Crags on one side and Colden Valley on the other. Down in their depth of hibernating trees and gritstone slabs, darkness isn’t coming down — it’s rising like a cold damp tide.” So begins Jay Jeff Jones’s uncommonly rich meditation on the poetic afterlife. It arrives nicely timed to an upcoming celebration of Sylvia Plath for what would have been her 90th birthday.

A Hero of Our Time
Lermontov + Edward Gorey + Nabokov = Paperback Keeper

by

The cover of this mass-market paperback of Mihail Lermontov’s 1840 novel, “A Hero of our Time,” was designed by Edward Gorey. It is taken from a portion of a painting by Lermontov. The typography is also by Gorey. I show it here because it is such a gem, and because a cover of this caliber doesn’t often come along. The 1951 paperback edition was the first publication of of Vladimir Nabokov’s translation from the Russian in collaboration with Dmitri Nabokov.

Heathcote Williams
Uncensored, ‘Advertisement’ for a Supermarket

by

‘The people who run Tesco must be Buddhists / You go in there and things are exactly as they should be / There is nothing that you could possibly want / Bits of telepathic animals neatly shrouded in heat-raised polystyrene / With Magic-Maker gravestones. / Dyed tomato mulch slobbering to itself in lead-lined tubular coffins, / Zilched by monosodium glutomate.’ — Heathcote Williams

Of Plumbers and Philosophers

by

Some old proto-Freudian
out of the German Yellow Pages
is looking up at me
from the kitchen floor
where he’s installing a new P-trap
under my kitchen sink,
telling me about how things are
and how they used to be . . .

Is a Poem Ever Finished?

by

It took Matthew Arnold 12 years to finish “Early Death and Fame,” which was first published in Fraser’s Magazine, in May 1855, and went through several changes until, in 1867, it found its final form. The changes were small. Were they fussy? I think not.

This blog published under a Creative Commons license

an ArtsJournal blog