• Home
  • About
    • Straight Up
    • Jan Herman
    • Contact
  • AJBlogs
  • ArtsJournal

Straight Up | Jan Herman

Arts, Media & Culture News with 'tude

Transgressive Otto Muehl Set Radical Template

June 5, 2013 by Jan Herman

Just in time for the Acker Awards, newly established to recognize noncomformity in the arts, obituaries for Otto Muehl have popped up in the news as if on cue. Muehl was a 1960s Vienna Actionist (along with Hermann Nitsch, Günter Brus, and Rudolf Schwarzkogler) whose “radical performance art,” as Margalit Fox put it in The New York Times, “sought to upend … the stultifying bourgeois conventions of the postwar years.”


From an Otto Muehl action performance.

Muehl’s death earlier this week and the award ceremonies being held Thursday in both New York and San Francisco are no more than a coincidence. But it’s obvious that with some exceptions such as Judith Malina’s, Boris Lurie’s, and Marina Abramovic’s, the artistic achievements of the Acker honorees aren’t nearly as transgressive as Muehl’s was. Not even close. “Something perverse about Austria brings out the best in certain artists,” says William Cody Maher, an American expatriate poet who lives in Germany. Indeed. As Fox writes:

Mr. Muehl splattered his nude subjects with paint in live performance and on film, but he also splattered them with soup, juice, milk, egg whites, blood, the internal organs of freshly slaughtered animals and, in a coup de grâce that appeared to follow the foodstuff to its inevitable conclusion, fecal matter.

It should also be noted that Mr. Muehl’s subjects, far from being idle, were, per his carefully worked-out choreography, generally having sex at the time. “The aesthetics of the dung heap are the moral means against conformism, materialism and stupidity,” Mr. Muehl declared in 1962.


‘Versumpfung Einer Venus’ September 1963 [Photographer: Ludwig Hoffenreich]


‘Versumpfung Einer Venus’ September 1963 [Photographer: Ludwig Hoffenreich]

Have a look at an interview Muehl gave in 2002 that puts his views in perspective.

The artist clears away taboos. What really shocks is being confronted with the facts. There is plenty to show. No one questions the State. The State doesn’t work. One cannot change it, not even through revolution. Private property is the end of ethics. Rousseau writes: “The first person to fence off a spot of earth and say, ‘That belongs to me, no one is permitted to trespass,’ should have been declared insane or beaten to death.” With this, the catastrophe of exploitation began.

Share on email
Email
Share on facebook
Facebook
Share on twitter
Twitter
Share on reddit
Reddit

Filed Under: Art, News, political culture

Jan Herman

When not listening to Bach or Cuban jazz pianist Chucho Valdes, or dancing to salsa, I like to play jazz piano -- but only in the privacy of my own mind.
Another strange fact... Read More…

About

My Books

Several books of poems have been published in recent years by Moloko Print, Statdlichter Presse, Phantom Outlaw Editions, and Cold Turkey … [Read More...]

Straight Up

The agenda is just what it says: news of arts, media & culture delivered with attitude. Or as Rock Hudson once said in a movie: "Man is the only … [Read More...]

Contact me

We're cutting down on spam. Please fill in this form. … [Read More...]

Archives

Blogroll

Abstract City
AC Institute
ACKER AWARDS New York
All Things Allen Ginsberg
Antiwar.com
arkivmusic.com
Artbook&
Arts & Letters Daily

Befunky
Bellaart
Blogcritics
Booknotes
Bright Lights Film Journal

C-SPAN
Noam Chomsky
Consortium News
Cost of War
Council on Foreign Relations
Crooks and Liars
Cultural Daily

The Daily Howler
Dark Roasted Blend
DCReport
Deep L
Democracy Now!

Tim Ellis: Comedy
Eschaton

Film Threat
Robert Fisk
Flixnosh (David Elliott’s movie menu)
Fluxlist Europe

Good Reads
The Guardian
GUERNICA: A Magazine of Art & Politics

Herman (Literary) Archive, Northwestern Univ. Library
The Huffington Post

Inter Press Service News Agency
The Intercept
Internet Archive (WayBackMachine)
Internet Movie Database (IMDb)
Doug Ireland
IT: International Times, The Magazine of Resistance

Jacketmagazine
Clive James

Kanopy (stream free movies, via participating library or university)
Henry Kisor
Paul Krugman

Lannan Foundation
Los Angeles Times

Metacritic
Mimeo Mimeo
Moloko Print
Movie Geeks United (MGU)
MGU: The Kubrick Series

National Security Archive
The New York Times
NO!art

Osborne & Conant
The Overgrown Path

Poets House
Political Irony
Poynter

Quanta Magazine

Rain Taxi
The Raw Story
RealityStudio.org
Bill Reed
Rhizome
Rwanda Project

Salon
Senses of Cinema
Seven Stories Press
Slate
Stadtlichter Presse
Studs Terkel
The Synergic Theater

Talking Points Memo (TPM)
TalkLeft
The 3rd Page
Third Mind Books
Times Square Cam
The Tin Man
t r u t h o u t

Ubu Web

Vox

The Wall Street Journal
Wikigate
Wikipedia
The Washington Post
The Wayback Machine (Internet Archive)
World Catalogue
World Newspapers, Magazines & News Sites

The XD Agency

Share on email
Email
Share on facebook
Facebook
Share on twitter
Twitter
Share on reddit
Reddit
This blog published under a Creative Commons license

an ArtsJournal blog

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in

 

Loading Comments...