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Archives for July 23, 2009

The Theatre Experience: Time for an Upgrade

July 23, 2009 by Douglas McLennan 6 Comments

The latest new-generation movie megaplex recently opened near us. It's got stadium seating, reclining extra-wide luxurious seats with cup holders in the armrests, and so much legroom you could park a Winnebago. A couple of the 14 screens in the megaplex are Imaxes that surround you with giant images and wrap you in sound. In the lobby they sell real food, the kind you might conceivably want to … [Read more...]

Douglas McLennan

I’m the founder and editor of ArtsJournal, which was founded in September 1999 and aggregates arts and culture news from all over the internet. The site is also home to some 60 arts bloggers. I’m a … [Read More...]

About diacritical

Our culture is undergoing profound changes. Our expectations for what culture can (or should) do for us are changing. Relationships between those who make and distribute culture and those who consume it are changing. And our definitions of what artists are, how they work, and how we access them and their work are changing. So... [Read more]

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Recent Comments

  • Douglas McLennan on Still Amusing Ourselves to Death: Information as Cautionary Tale: “Hi John: Yes – remember over the last decade how Big Data was going to change everything and drive every…” Nov 26, 07:46
  • John McCann on Still Amusing Ourselves to Death: Information as Cautionary Tale: “I haven’t read this book, yet your review triggered an insight about information shared within organizations and how so much…” Nov 26, 03:57
  • Richard Voorhaar on The UnderTow: The High-flying Oil Industry fears “Demand Destruction.” Should the Arts?: “We have reached the point where the average American has no attention span. A 3-4 minute pop tune is all…” Jun 10, 11:22
  • Alan Harrison on The UnderTow: The High-flying Oil Industry fears “Demand Destruction.” Should the Arts?: “Brilliant piece, Doug. It’s why, in my own columns on LinkedIn and Medium, I may have become more strident recently…” Jun 8, 15:46
  • Tom Corddry on The UnderTow: The High-flying Oil Industry fears “Demand Destruction.” Should the Arts?: “Slick analogy. Social scientists estimate that 95% of everything we do is basically done out of habit, because it’s an…” Jun 7, 21:04
  • sandi kurtz on The UnderTow: Subscriptions are the New Business Model of Choice. So Why are Subscriptions Failing in the Arts?: ““As for seat licenses in the arts – I think it doesn’t work unless demand is so spectacular you can…” Jun 1, 23:19
  • Douglas McLennan on The UnderTow: Subscriptions are the New Business Model of Choice. So Why are Subscriptions Failing in the Arts?: “I think the membership model is an interesting variant. And the web has gone back and forth on labeling its…” May 31, 07:42
  • Douglas McLennan on The UnderTow: Subscriptions are the New Business Model of Choice. So Why are Subscriptions Failing in the Arts?: “Thanks Gary. I originally had a section in this podcast discussing why the NYTs’ success hasn’t worked its way down…” May 31, 07:19
  • sandi kurtz on The UnderTow: Subscriptions are the New Business Model of Choice. So Why are Subscriptions Failing in the Arts?: “A couple of thoughts. The single subscription model, where you sign on to the entire run of the season, curated…” May 30, 23:57
  • Gary P Steuer on The UnderTow: Subscriptions are the New Business Model of Choice. So Why are Subscriptions Failing in the Arts?: “Loved the podcast Doug. Glad you included newspapers as an example of another business type that has pivoted towards subscriptions.…” May 28, 12:11

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An ArtsJournal Blog

Recent Posts

  • Still Amusing Ourselves to Death: Information as Cautionary Tale
  • The UnderTow: What the new Edinburgh Fringe Tells us about a Post-COVID World
  • The UnderTow: The High-flying Oil Industry fears “Demand Destruction.” Should the Arts?
  • The UnderTow: Subscriptions are the New Business Model of Choice. So Why are Subscriptions Failing in the Arts?
  • This Week’s UnderTow: Why are Police Playing Disney Songs? And Why did this Orchestra Fire its Conductor for… Conducting?

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