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Deborah Jowitt on bodies in motion

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Touched by a Virtual Hand

December 18, 2017 by Deborah Jowitt

Charles Atlas, Rashaun Mitchell, and Silas Riener collaborate on a video/live performance. So what do you do if you meet a dancer who’s twice your size in every way, and he (or she) reaches out a hand to you? Well you could take off the 3-D viewing glasses that you were given as you entered BAM Harvey to see Tesseract. Or you could just sit back and ponder the enigmas   of the virtual stage … [Read more...]

Journey for Two

November 19, 2016 by Deborah Jowitt

David Vaughan and Pepper Fajans in Co. Venture at Baryshnikov Arts Center. They make a charming pair: David Vaughan (b. 1924) and Pepper Fajans (b. 1985). I don’t mean “charming” as in, “let’s have them over for dinner” (although that would be nice). I mean that’s how they appear at the Baryshnikov Arts Center in the U.S. premiere of Co. Venture by the Brooklyn Touring Outfit that they … [Read more...]

Mysterious Beauty

September 29, 2016 by Deborah Jowitt

Pam Tanowitz Dance kicks off "NY Quadrille," a two-week season masterminded by Lar Lubovitch. Over the years, dance has acquired a reputation for mysteriousness. This vexes many people, enchants others, and confuses others still more. After seeing Pam Tanowitz’s Sequenzas in Quadrilles at the Joyce Theater, I walked along the sidewalk a bit ahead of two women who were energetically … [Read more...]

Travelling through Inner Space and Beyond

April 4, 2015 by Deborah Jowitt

Rashaun Mitchell premieres his Light Years at New York Live Arts, April 1 through 4. Here are some of the thoughts that popped up when I was watching Rashaun Mitchell’s Light Years at New York Live Arts: evolution, planetary orbits, outer space, Adam and Eve, video-game warriors, science fiction. These images continue to pursue their separate, but sometimes related paths through my … [Read more...]

New Trails for Traditions

February 10, 2014 by Deborah Jowitt

Pam Tanowitz makes her Joyce debut February 4-5 with two premieres. If Pam Tanowitz had been baptized into dance as an infant, Merce Cunningham and George Balanchine would surely have been standing on either side of the font, ready to serve as godfathers. Tanowitz’s choreographic works, like those shown on her recent program at the Joyce Theater, tell no stories. Nor do they seethe with … [Read more...]

How Many Ways In?

November 20, 2013 by Deborah Jowitt

Rashaun Mitchell and Silas Riener collaborate on Way In. I wasn’t hung up on pink when I was a little girl. Much later, I read that studies had shown the color to have a calming effect on people in need of calming, such as jail inmates. And, sure enough, when I found myself sharing a pinkish bedroom for a year or so with another dancer, I frequently slept until 11 A.M. Entering St. … [Read more...]

The Attraction of Opposites

May 19, 2013 by Deborah Jowitt

Pam Tanowitz's The Spectators at New York Live Arts, May 15 through 18; Bill Young and Colleen Thomas's A Place in France at 100 Grand Street, May 16 through 19. Pam Tanowitz’s new The Spectators at New York Live Arts is so clean you could eat off it. Pristine patterns control the six dancers she deploys, and no move they make is blurred or loose. One of Tanowitz’s talents is making cool … [Read more...]

Face as Fact

March 21, 2013 by Deborah Jowitt

I remember years ago attending a evening of solos by an Indian dancer; it could have been Balasaraswati or Ritha Devi, and shortly after that, going to a performance by (maybe) American Ballet Theatre’s Bayadère. My friend and colleague, Marcia B. Siegel also saw both performances. When we spoke later, we both remembered how the familiar classical arm and hand movements of ballet had suddenly … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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