• Home
  • About
    • About Last Night
    • Terry Teachout
    • Contact
  • AJBlogCentral
  • ArtsJournal

About Last Night

Terry Teachout on the arts in New York City

You are here: Home / 2019 / May / Archives for 13th

Archives for May 13, 2019

Saturday night special

May 13, 2019 by Terry Teachout

I stopped at a McDonald’s for a snack while driving from Connecticut to New York the other day. I ordered a two-cheeseburger meal, which is what I usually get at McDonald’s when not eating breakfast. I wouldn’t dream of trying to tell you, though, that the McDonald’s cheeseburger is anything special. In fact, it’s the most nondescript of sandwiches, designed for near-instant preparation and similarly quick consumption, consisting as it does of a paper-thin ground-beef patty, a limp slice of American cheese, a couple of dill pickle chips, a sprinkling of freeze-dried onion flakes, and a splash of ketchup, all squashed between the halves of a white-bread bun. It doesn’t hold a candle to the Quarter Pounder, which is superior in every way—yet I remain stubbornly loyal to the penny-plain cheeseburger.

Why is this so? The reason came to me from out of the blue midway through my second burger: it reminds me of my childhood.

When I was a boy, my mother made dinner six nights a week, and the four Teachouts sat down together at the kitchen table to eat it. That was part of what it meant to be a member of a happy family In the Sixties, which is what we mostly were. On the seventh day, though, she rested, and my father either took us all out to eat or grilled on the patio. Some weeks we went to “real” restaurants, where we ate steak, chicken, fish, or pizza in a dining room, and some weeks we went to a drive-in. For a long time we frequented the local A&W, but the first McDonald’s in the vicinity of Smalltown, U.S.A., opened in Cape Girardeau, Missouri, in the summer of 1968, and it quickly became one of our regular Saturday-night stops, no doubt in part because dinner for four chez McDonald’s was considerably cheaper than a sit-down restaurant. Not that my brother and I cared in the least: we liked it every bit as much, maybe even more.

In those far-off days of limited choice, McDonald’s sold just five sandwiches: hamburgers, cheeseburgers, the Big Mac, the Filet-o-Fish, and the Quarter Pounder, the latter available with or without cheese. I always ordered a cheeseburger, which I thought ambrosial, in part because I got to eat it sitting in the back seat of the car, which was almost as good as a picnic. I was still young enough to revel in such outings, and there was nothing I liked more than piling into the station wagon, riding up to Cape Girardeau, eating a cheeseburger, and coming home to Smalltown at dusk, singing “I’ve Been Working on the Railroad” and “Oh! Susanna” with my family all the way to Cape and back. I doubt we ever felt much closer to one another than we did on those Saturday nights.

Boyhood, however, gave way in due course to adolescence and its roiling discontents, and while the four Teachouts continued to sit down to dinner each night, our weekly family outings grew increasingly awkward and uncomfortable. It was only a matter of time before I was making a point of being otherwise occupied on Saturday nights, and not long after that I went off to college, never again to live in the house where I grew up save as a visitor.

From then on and for many years to come, the McDonald’s cheeseburger ceased to figure prominently in my diet. Having moved to Kansas City and, later on, New York, I was too busy seeking out big-city cuisine to spend much time partaking of the fast food of my youth.

It wasn’t until some time later that I rediscovered McDonald’s, in part because of the introduction of its all-day breakfast, an innovation well suited to the culinary needs of those who spend a lot of time alone on the road. In the process I also rediscovered the humble McDonald’s cheeseburger, though it took longer for me to realize that it was triggering the same kinds of memories that the taste of a madeleine dipped in tea had once evoked for Marcel Proust:

An exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory—this new sensation having the effect, which love has, of filling me with a precious essence; or rather this essence was not in me, it was me. I had ceased now to feel mediocre, contingent, mortal. Whence could it have come to me, this all-powerful joy? I sensed that it was connected with the taste of the tea and the cake, but that it infinitely transcended those savours, could, no, indeed, be of the same nature. Whence did it come? What did it mean? How could I seize and apprehend it?

For me as well: eating a McDonald’s cheeseburger now fills me with memories of one of the most joyful parts of a largely happy life. And while it can be no substitute for the lost presence of my beloved parents, its commonplace flavor brings them to mind as clearly as if they were sitting across the kitchen table from me. Contingent and mortal I surely am, but as long as I live, they will, too.

*  *  *

“The Big Game,” a 1967 McDonald’s TV commercial:

Johnny Cash sings “I’ve Been Working on the Railroad” in 1973:

Just because: Eliot Feld’s The Jig Is Up

May 13, 2019 by Terry Teachout

Excerpts from The Jig Is Up, a ballet choreographed by Eliot Feld in 1984 to the recorded music of the Bothy Band and danced by students of Ballet Tech/The NYC Public School for Dance. New York City’s public school for dance. This performance took place at New York’s Joyce Theater in 2017:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: George Carlin on dancing as a human need

May 13, 2019 by Terry Teachout

“If a group of people stand around in a circle long enough, eventually they will begin to dance.”

George Carlin, Napalm & Silly Putty

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

Follow Us on TwitterFollow Us on RSSFollow Us on E-mail

@Terryteachout1

Tweets by TerryTeachout1

Archives

May 2019
M T W T F S S
 12345
6789101112
13141516171819
20212223242526
2728293031  
« Apr   Jun »

An ArtsJournal Blog

Recent Posts

  • Terry Teachout, 65
  • Gripping musical melodrama
  • Replay: Somerset Maugham in 1965
  • Almanac: Somerset Maugham on sentimentality
  • Snapshot: Richard Strauss conducts Till Eulenspiegel

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in