As I have occasion to remark in my new book Moral Fire, moral passion is a phenomenon little glimpsed in public life nowadays, unless you happen to be a devotee of the Daily Show with Jon Stewart. Typically, moral passion as purveyed by politicians and the “media” is opportunistic and shallow, if not wholly counterfeit. #
My book celebrates practitioners of moral passion in late 19th century America, when it was more mattered than today. More specifically, I explore four individuals for whom the notion that culture – that is, music, literature, the visual arts – is morally uplifting was more than a Victorian canard. #
My first chapter remembers Henry Higginson, who invented, owned, and operated the Boston Symphony Orchestra. Higginson’s belief that Beethoven made people more humane was profound and true – at least for Higginson himself. His concept of “useful citizenry” was to amass a fortune so he could give it away for the betterment of the city of Boston. Though often misportrayed as a Brahmin snob, Higginson was not born to wealth. A cultural democrat, he set aside tickets for 25 cents – even in 1881 a modest sum – for all Boston Symphony concerts and public rehearsals. His friend Bliss Perry testified that “to his true comrades,” Higginson “was like a lover.” This capacity for affection, for honest intimacy, pervades many a startling Higginson letter. His singular range of close acquaintances – from J. P. Morgan to Henry James, whom he called “Harry” – anchored the man and his heroic scope of achievement. #
Thanks of Boston’s WGBH, I recently enjoyed an opportunity to talk about Higginson on the air for more than 20 minutes – an unhurried exchange with time enough for thought. Brian Bell, who is himself writing a history of the Boston Symphony, asked the big questions, including: Where in the arts are there individuals of such colossal personal vision today? And if we can’t find any, what happened to them? #
I’m additionally grateful to Brian for posting the interview online – and here it is. #

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