I'm happy — thrilled — with how much people like my four keys to the future. Aka the four things we in classical music must do, if we want to build a new audience, and help classical music survive. And of course (as commenters have eagerly noted) there's lots more to say about how we do these four things. I'll be saying much of it in weeks to come. The first two points, especially, can be expanded. The first one — understand and respect the culture outside classical music. — is harder than it seems. One problem for the … [Read more...]
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Greg Sandow on The Monday post
Louis, you're entitled to your opinion, but not to your own facts. Museums of contemporary art routinely exhibit realist work,...Greg Sandow on …for…
No need for an audience to be homogenous. I worked with the Pittsburgh Symphony on a concert series that was...Jeffrey Sultanof on The Monday post
Greg, Not only didn't the audiences like new music, but the critics.....It is fascinating to read their reactions to now-classic works...Louis Torres on The Monday post
The term "new" requires clarification. With regard to music, it had an entirely different meaning in 1860 than it does...bgn on …for…
" But if S4M did draw a NY-based event audience, would there be two not wholly compatible groups at the...