
Here's a revision of the first chunk of the final version of my book, Rebirth: The Future of Classical Music. After the end, I've said why I revised it. With examples, which maybe will help those learning to write. I think this post is important, because the book is important. We all -- me included -- need a map, a guide to what's happened to classical music, and to where it's going. Many people have said that they want that. For years I've tried to provide it. And now (knock on wood) I'm providing it. What follows is just the beginning. … [Read more...]










Recent Comments
richard on The Monday post
Greg, Argento, while tonal, has used atonal material, and more "progressive" techniques than the composers you mentioned, and his operas have...Barney Sherman on The Friday post
Great post. Also: NPR's Rite of Spring dance-along: http://www.npr.org/blogs/deceptivecadence/2013/05/08/182348399/come-dance-the-rite-of-spring-with-us and http://www.npr.org/blogs/deceptivecadence/2013/05/23/186267144/wheres-your-awesome-rite-of-spring-video andLouis Torres on The Monday post
So the term "new music" also applies to New-classical music? By Stefania de Kenessey, say [http://www.musicacademyonline.com/composer/biographies.php?bid=144] (see Allan...David P. Sartor on The Friday post
"What we want to do is to show people that “classical” music is a living, vibrant tradition that is far...petersachon on The Friday post
Rossini, Brahms, Stravinsky, Beethoven, Wagner....these are STILL the names we are offering?? Perhaps classical music isn't the living vibrant tradition...