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Greg Sandow on the future of classical music

Cage Against the Machine

December 13, 2010 by Greg Sandow

“Support is building like a tidal wave,” says the Daily Telegraph in Britain, about a wonderful, unlikely, but conceivably successful project — to push a recording of John Cage’s 4’33” (his famous silent piece) to the top of the British pop chart. 

This is a protest action, a way of resisting what many in the UK feel is manipulation of the pop charts by Simon Cowell. Read all about it here, in a BBC News story. Last year, to keep Cowell from getting his hand-picked song to No. 1, a group of pop music people started a movement — which succeeded! — to get a song by Rage Against the Machine to the top instead. Building on that success, they now want to put John Cage on top. 

Which is just a wonderful idea. And, according to the Daily Telegraph, the British online betting site Ladbroke’s puts the odds against the plan succeeding at only 5 to 1. 

How to support this: Buy the 4’33” single — wonderfully titled “Cage Against the Machine” online. You have to be in the UK to buy from the sites the movement is promoting, which I’m guessing are the ones that count to put the track on the charts. If you’re there, you can buy the track on Amazon UK (and of course iTunes and other places). In the US, you can get it at Amazon US; don’t know that it counts toward the British charts. 

There’s actually an entire Cage Against the Machine album, with various mixes of the piece. The official single was recorded simultaneously by many people, including some ranking British pop figures (Billy Bragg, Imogen Heap).

This is just a wonderful idea. I support it completely. Here’s its Facebook page. 

And though I don’t want to get ideological about the meaning of this, what a rebuke for people who’ve convinced themselves that the pop music world is only about empty commerce aimed at kids. 

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Comments

  1. Helicule says

    December 14, 2010 at 1:08 pm

    While I support this all the way, I dread the inevitable explosion of jokes about the piece. You know: the mock-critiques of the musicianship; the faux-intense discussion of which version best matches the composer’s vision; the sarcastic dancing. As if John Cage meant it all as a smug in-joke.

    Have you seen the faces of people watching live performances? Gruesome.

  2. Joan says

    December 14, 2010 at 5:33 pm

    I actually listened all the way through the youtube upload of the 4:33 and enjoyed it. Interesting how the quality of the non-notes shifted during the recording…

  3. b1-66er says

    December 14, 2010 at 7:59 pm

    i wasn’t aware of this … thanks for posting it along.

  4. brian kinder says

    December 15, 2010 at 8:14 am

    What a great idea Anything to get the smirk off that waste of space cowells face And a giant ! hole in his pocket What is HE ?

  5. Bill Kraft says

    December 16, 2010 at 5:25 pm

    John’s purpose, as he told me, was to draw the listener’s attention to the sounds around us. One should do that when listening to either a live or recorded version.

  6. charlie Humphrey says

    January 3, 2011 at 11:13 am

    They should excerpt the piece. That way, everyone is happy.

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

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This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

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