• Home
  • About
    • What’s happening here
    • Greg Sandow
    • Contact
  • AJBlogs
  • ArtsJournal

Sandow

Greg Sandow on the future of classical music

Strange and interesting people/music

June 29, 2010 by Greg Sandow

From the Bang on a Can marathon’s program book (see yesterday’s post about this year’s marathon):

What is it about the world we live in? It’s full of strange and interesting people. And all the strange people of the world make strange and interesting sounds, some of them beautiful, some of them dark, some of them welcoming, some of them very rude.

In this world we also have a lot of filters to separate the sounds into categories — we say disco or classical or ez jazz or mainstream or experimental and we immediately know what kinds of sounds get through the filter and which kinds don’t. These filters can be useful but they are also often artificial attempts to elevate the commercial appeal of some sounds by separating them from other sounds. So where can you go to find music from across the many many adventurous, sub-mainstream, less commercial genres? Innovative musics that could easily be filtered and heard only separate from each other but actually have more in common than you could ever imagine once the categories are removed?

Puts the mission statements of our leading orchestras to shame, doesn’t it?

Filed Under: Uncategorized

Comments

  1. Dr Morpheus says

    June 30, 2010 at 1:24 am

    Amazing!

  2. Yvonne says

    July 6, 2010 at 1:54 pm

    For a start, it’s written in English, without a weasel word of institutional cliché in sight!

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

Follow Us on FacebookFollow Us on TwitterFollow Us on RSS

Archives

@gsandow

Tweets by @gsandow

Resources

How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in