• Home
  • About
    • What’s happening here
    • Greg Sandow
    • Contact
  • AJBlogs
  • ArtsJournal

Sandow

Greg Sandow on the future of classical music

Performance of my music

March 29, 2009 by Greg Sandow

Life has gotten full lately, with all kinds of things, including contacts with many, many people, a lot attention to my Juilliard course, and some writing. My apologies for neglecting the blog. I’ve been saying that time management has to be a number one priority, but another way to put it would be — triage rules. I’m always learning more about how to get the balance right.

But here’s one thing I want to announce. And the simplest way would be to quote the e-mail I sent out to my private mailing list. (Which, since I haven’t vetted it lately, might well fail to include some people reading this, who really ought to be on it. Apologies, and don’t hesitate to submit your name!)

Ten days Eight days from now…

 

Two pieces of mine, at the first concert of Victoria

Bond’s Cutting

Edge Concerts New Music Festival, Monday, April 6, 7:30 PM, at Symphony Space, 95th Street and

Broadway in New York. There’s a pre-concert panel discussion (which I’ll be on)

at 6:30.

 

Which pieces? Two short, tight, expressive little works,

my Sonatina for Clarinet and Piano, and my Short Talks, for a pianist who also

plays a drum.

 

The Short Talks are based on prose poems by Anne Carson.

whose searing intensity is burned into very few words. The music might

sometimes seem calm (deceptively), but it sometimes bursts into violence, and

sometimes falls silent, unable to speak. The drum is its underworld. This is a

work in progress. We’ll here five of the Short Talks. Three have been performed

before, and two will be world premieres.

 

The Sonatina, barely six minutes long, covers a lot of

ground. In the first two movements, piano and clarinet play entirely separate

pieces. Literally so – they could each play independently. Then in the finale

they come together for a wild rhythmic ride, completely in unison.

 

Two truly terrific musicians are involved. Jenny Lin is

the pianist (and drummer), Charles Neidich plays the clarinet.  And my

pieces do reflect the theme of this year’s Cutting Edge concerts: What sparks

the imagination? To see scores of my pieces or hear recordings, go here.

 

I hope you can be there! (And, to my out of town friends,

I hope you’ll be there in spirit.)

 

 

 

 

Filed Under: Uncategorized

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

Follow Us on FacebookFollow Us on TwitterFollow Us on RSS

Archives

@gsandow

Tweets by @gsandow

Resources

How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in