How good ideas happen

You've made a good point. Online communities won't happen necessarily because it's felt they should be created or nurtured. They'll emerge when there's a critical mass of interesting stuff happening online that we can connect to. [And I'm including myself in that "we", because – strangely enough – the first thing that came to mind when this news was circulated around my orchestra yesterday was the thought that I might get out my flute, practise, practise, and enter.]

In other words orchestras might have a goal of an online community, but – like sailors – we'll have to tack our way towards it, including embracing and developing projects that don't lead directly to the goal, but which will, in their way, make a contribution.

Anne is correct. It will all be trial run for new ideas. The You Tube idea might work--time will tell. I did this in 1997 with the first internet recital in both audio/video fashion in New York and Amsterdam. What I'd hope to see in the future are concert halls fixed up with internet feeds to enable orchestras and solo artists, chamber music, what have you, sell online subscriptions to their concerts and events for people around the world to enjoy on their PCs, Macs, home theaters, hand held devices etc. Say you live in Prague and you want an online ticket to see the Boston Symphony premiere or opening night, or a concert with a specific composition 'live' or for one-time download? Voila! Produced in their hall and available to you, worldly audience, with some of the proceeds allocated to the orchestra to boost revenue. Why be limited to the concert hall when there are so many other potential worldwide viewers out there?

Anne is correct. Time will tell if these new ideas will make it. I did the same in 1997 by creating the first live audi/video internet concerts from New York and Amsterdam. What I would like to see is a future where concert halls are internet fixed with internet feeds. This way, they can make their concerts and some events available online for single sales or subscriptions to people worldwide who would like to purchase a virtual ticket for 'live' or one-time only download for their PCs, Macs, home theaters, hand-delds, what have you. This way, some proceeds can boost their revenue from worldwide online sales, and open up the doors to classical music appreciation throughout the world. Can you imagine schools also buying into this by purchasing concerts and events for the students to watch and do reports on for their musical courses? If you live in Oklahoma and can't go to Prague, or to the Detroit Symphony Orchestra concert, you can, via the internet. Perhaps some day.

Not just some day. Already. Visit:
http://sydneysymphony.bigpondmusic.com/

It's not all the concerts, just 10 a year, but they're streamed live and the performances are then available "on demand" thereafter.

It's true the SSO doesn't sell subscriptions or "access" to them or using them as a way to boost revenue – instead they're free to all. Or I should say they're free to all Windows users, since the company behind the venture doesn't support the Mac OS at all, much to my own frustration.

Also in Australia, the WASO will be offering concerts live and on demand. So far only their launch is available, here:
http://www.iinet.net.au/my/media/mc-tv.html?waso
(Again free, and a bit more compatible!)

And I believe the London Symphony Orchestra's education team has been involved in all sorts of streamed and "teleconference" style activity.

A postscript: a colleague of mine has just now purchased a 5 euro "ticket" to an online performance (from archive, I believe) of the Berlin Philharmonic.

Just a quick note from me as one who's been involved all the way through the YTSO project on the LSO end - the LSO sees it not as a way to get bums on seats immediately or to sell a ton of CDs (although our website visits have shot up 125% since Monday and people are buying...), but as an extension of our LSO Discovery (education) department's work and long-term mission - collaboration (in this case online), and getting our work out there to a broad range of people, helping them to discover orchestras and classical music. If it inspires people to pick up a long forgotten instrument and play again, then we have succeeded, whether they then immediately rush out to buy a ticket or not. And just maybe they might come to the LSO one day, or CSO, NY Phil, Sydney Symphony or wherever they are in the world.

Yvonne is right when she says that we've done video conferencing already - mostly in the form of masterclasses or conversations with artists appearing in the season via the JANET network to universities and schools in the UK and US. And this another step along the road. Coming soon will be an LSO online area where collaboration, learning and enjoyment of music online can take place permanently. Will we try and monetise it? Maybe. I personally feel this model is still a little way off.

By the way, you might also want to check out the Philharmonia Orchestra here in the UK. They too have experimented, quite some years ago even, with concerts live online. Their portal is called Sound Exchange.