Snapshot of the new culture

My Wall Street Journal piece on Lukas Ligeti and Gabriel Kahane is out. Follow the link to read it.

It's about two composers with mainstream classical fathers,  but who write music that isn't wholly classical. In this, they're very much citizens of our new culture. Younger people (which by now means people 40 or younger, and maybe even many people older than that) don't make distinctions between high and popular culture, or at least not distinctions of value. That includes what used to be thought of as high culture values, like being thoughtful, noncommercial, deep, or (more simply) serious. [Added later:] Stress "used to be thought of," here, because so-called commercial culture these days can easiliy be thoughtful, deep, and serious.

People in the older culture can ignore this, or try to fight it, but that's dangerous for them. They simply cut themselves off, not just from contemporary life, but from a lot of thoughtful, noncommercial, deep, and serious art. And if they're trying to make converts for high culture, than they lose bigtime, because their case won't seem plausible to the people they're trying to reach. It's a very bad strategy -- obviously!-- to go to smart, educated people, and say, "Listen to our music, because yours is trash."
October 18, 2008 11:47 AM | | Comments (2)

2 Comments

Obviously I agree with you on most of this, but I think you fall into your own trap when you draw a distinction in quality, or at least seem to, between "commercial" and "non-commercial" art. There's plenty of "thoughtful" and "serious" commercial art, and as you yourself have pointed out many times, much of classical music and "high art" are also "commercial."

Hi, Galen. I think I didn't quite say what I meant. Thanks for catching me. I've edited the post, and I hope it's clearer now.

Another example is Tyondai Braxton, Anthony Braxton's son, who plays in a band called Battles. They play around a lot with syncopation and complicated rhythms, but are squarely aiming for the rock audience.

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Resources

Age of the Audience 
Conventional wisdom: the classical music audience has always been the age it is now. Reality: It used to be younger -- dramatically younger, in fact. Here's some evidence -- actual texts of old studies, links to NEA studies -- plus my blog posts on this subject. more

earlier resources

Things I like

Mantra for the arts 

From a New York Times Sunday piece on Wong Karwai, describing how he made his early film Ashes of Time:

"Mr. Wong was in a corner watching on a monitor. Every so often, in his measured way, he...called out to his cinematographer, Christopher Doyle, 'Is that all you can do?'

"Mr. Doyle, now a longtime collaborator of Mr. Wong's, said in a recent telephone interview that he heard that question as a constant challenge. 'It should be the mantra for all people in the arts.'"

more things

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This page contains a single entry by Sandow published on October 18, 2008 11:47 AM.

Generational change was the previous entry in this blog.

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