Me on Twitter

Whetstone, in a comment on my last post, pointed out that I didn't link to Twitter in the best way. i linked to the main site, not to my own page, so people who want to follow me have to search for me. Which only underlines my point about how much many of us have to learn about the new online world.

You can reach me directly on Twitter right here.

[Added later:] And thanks, everyone, for the lovely small explosion of Twitter followers and friend requests on Facebook!

Also note, in the comments to my last post, the people who say they first got turned on to classical music on YouTube.
October 25, 2008 3:09 PM | | Comments (0)

Leave a comment

Resources

Age of the French classical audience 
From time to time, people have mentioned in comments here a French government study that supposedly shows that the French classical music audience is very young, with a median age of 38.

I've never been able to find the source for this number. From some of what's been said, I get the idea that it's on a flyer handed out at concerts.

But the French Ministry of Culture tells a different story. You can go here to see the results of their 2008 study of French concert attendance, made available as a PDF file. Or go here if you'd like the numbers in an Excel spreadsheet. (Or here for an overview page, from which you can find out more about the study.)

The numbers are expressed in absolute terms -- the number of people (in hundreds) in various age groups who attended classical concerts in the year the survey covered. And they're broken down by age groups.

From that, it's easy to find what percentage of the French classical music audience falls into the age groups the study specifies:

15-19               4%
20-24               4%
25-34             10%
35-44             18%
45-54             15%
55-64             24%
65 and over    26%
So this median age of 38 seems to be a myth. If we believe the French Ministry of Culture (which has been conducting these surveys for years), fully one-quarter of the French classical music audience is 65 or above. And exactly half of it -- 50% -- is 55 or older.

That means its median age is something around 55. (Since the median would be the point at which half the population in the study is older, and half is younger.)

This should advance the discussion that's erupted here in comments from time to time, about the age of the classical music audience in Europe. Some people think it's lower than it is in the US. But not in France, apparently.

Can anyone point me toward figures for other countries?

(Many thanks to Claudine Verdier- Dievochka for the links to these numbers. Here's her website.)


Age of the audience 
Conventional wisdom: the classical music audience has always been the age it is now. Reality: It used to be younger -- dramatically younger, in fact. Here's some evidence -- primary sources (actual texts of old studies, links to NEA studies) -- plus two of my blog posts on this subject, and some anecdotal data.
more

earlier resources

Things I like

About this Entry

This page contains a single entry by Sandow published on October 25, 2008 3:09 PM.

New culture (2) was the previous entry in this blog.

How to promote a concert (aka more on FSU) is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads


AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.