Why I like fashion
It's a new delight for me. I used to think fashion was frivolous, not anything (God help me!) serious people should care about.
Then I started watching Project Runway. And got hooked. Of all reality shows (at least in my experience), it's the fairest. To viewers, I mean. You can see the fashions the contestants design, just as well as the judges on the show can. You can see who does well, and who does badly. You can develop your eye, as I did. You can learn to see how fashion can be art. You can hear the judges -- expereinced fashion people, some of them top designers -- talk about the work they're seeing. You can see that their standards are high, and their judgment artistic.
And finally it came to me. Fashion can be exciting because it's a place where art, commerce, craftsmanship, and sexuality all come together. Which, if you ask me, is hot. And (as I hardly need to say) that's not a place where classical music very comfortably lives. Though why shouldn't it? It certainly did in past centuries. Handel's opera companies in London -- artistic (just listen to the music), commercial to the hilt, and with a lot of sexual excitement about some of the singers (the prima donnas, and, inevitably, the castratos, who were infertile, but as sexually potent as any other man).
Why can't classical music do that now?
Then I started watching Project Runway. And got hooked. Of all reality shows (at least in my experience), it's the fairest. To viewers, I mean. You can see the fashions the contestants design, just as well as the judges on the show can. You can see who does well, and who does badly. You can develop your eye, as I did. You can learn to see how fashion can be art. You can hear the judges -- expereinced fashion people, some of them top designers -- talk about the work they're seeing. You can see that their standards are high, and their judgment artistic.
And finally it came to me. Fashion can be exciting because it's a place where art, commerce, craftsmanship, and sexuality all come together. Which, if you ask me, is hot. And (as I hardly need to say) that's not a place where classical music very comfortably lives. Though why shouldn't it? It certainly did in past centuries. Handel's opera companies in London -- artistic (just listen to the music), commercial to the hilt, and with a lot of sexual excitement about some of the singers (the prima donnas, and, inevitably, the castratos, who were infertile, but as sexually potent as any other man).
Why can't classical music do that now?
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About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

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