My last post sparked some lively discussion, including interesting comments from Ryan Tracy, who runs the Counter Critic site. One thing Ryan said left me thinking. He named (almost wistfully, I thought) Ani DiFranco as an example of an alternative rock figure with a small audience, and offered the hope that classical music, too, could accept small performances for relatively few people. Which of course -- in a way -- it always does. One quick (and crude) take on Ryan's point might be that classical music, compared to pop, is a … [Read more...]
Solutions (first of an occasional series)
Problem: How to attract a young audience Solution: I've written about this before, here and here. You can almost infallibly attract a younger audience if you combine classical music with indie rock. (I'm assuming, of course, that you do this well -- that you choose the right indie bands, and produce the concert in the right way.) The London Sinfonietta proved this years ago, and (in the first link, above) I've talked about Wordless Music, a concert series in New York that also offers proof. Last year, their first, they offered just a … [Read more...]










Recent Comments
Greg Sandow on The Monday post
Louis, you're entitled to your opinion, but not to your own facts. Museums of contemporary art routinely exhibit realist work,...Greg Sandow on …for…
No need for an audience to be homogenous. I worked with the Pittsburgh Symphony on a concert series that was...Jeffrey Sultanof on The Monday post
Greg, Not only didn't the audiences like new music, but the critics.....It is fascinating to read their reactions to now-classic works...Louis Torres on The Monday post
The term "new" requires clarification. With regard to music, it had an entirely different meaning in 1860 than it does...bgn on …for…
" But if S4M did draw a NY-based event audience, would there be two not wholly compatible groups at the...