My last post sparked some lively discussion, including interesting comments from Ryan Tracy, who runs the Counter Critic site. One thing Ryan said left me thinking. He named (almost wistfully, I thought) Ani DiFranco as an example of an alternative rock figure with a small audience, and offered the hope that classical music, too, could accept small performances for relatively few people. Which of course -- in a way -- it always does. One quick (and crude) take on Ryan's point might be that classical music, compared to pop, is a … [Read more...]
Solutions (first of an occasional series)
Problem: How to attract a young audience Solution: I've written about this before, here and here. You can almost infallibly attract a younger audience if you combine classical music with indie rock. (I'm assuming, of course, that you do this well -- that you choose the right indie bands, and produce the concert in the right way.) The London Sinfonietta proved this years ago, and (in the first link, above) I've talked about Wordless Music, a concert series in New York that also offers proof. Last year, their first, they offered just a … [Read more...]


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Greg Sandow on Marketing the Met — a real strategy
So glad you like this, Katherine. And good to see you here again. The key to getting people interested, in...Katherine Giaquinto on Marketing the Met — a real strategy
Greg, this is SUCH a helpful post! I've been thinking lately about how to promote local opera to my movie-going generation,...Greg Sandow on Peter Gelb and the missing strategy
Neil, there haven't been socialites in the audience, not for years. They came only in past generations, in the 1940s. And...RedBear on Peter Gelb and the missing strategy
Who is responsible? The Board of Directors. Period. They hired a marketing exec. All the other major opera houses in...Neil McGowan on Peter Gelb and the missing strategy
>> Less glamorous. Less buzzy. << Y'mean they're about the music, instead of the socialites in the audience? I like this...