A while ago I wrote about
href="http://www.artsjournal.com/sandow/2007/10/how_to_do_it_3.html">interpreting ticket-sale statistics
journalists trying to make sense of those numbers. I had a lot to say about
subscription sales, since these are especially tricky. When someone says “our
subscriptions are up,” do they mean the number of subscribers, the number of
tickets sold to subscribers, the amount of money made from subscription sales,
or the percentage of total sales that subscriptions make up?
So here’s something else to think about, most helpfully
offered in an e-mail by David Wyeth, the Director of Marketing & Visitor
Services at Carnegie Hall. Of course I’m quoting it with his permission:
One other key element is renewal
numbers. While selling new acquisition subscription tickets can sometimes be
nearly as expensive as single ticket marketing, renewals are the cheapest of
all to sell. Plus it gets into the whole question of "churn,"
something a lot of us are dealing with these days. You may have terrific
overall subscription numbers, but if it’s mostly new people year after year,
then it’s costing you too much and it doesn’t bode well for your near future (
class=SpellE>i.e.when
Thanks, David. Everything I know about things like this, I’ve
learned from people
like you.


Recent Comments
Greg Sandow on Good news from Toronto
Thanks! It's wonderful to have this corroboration. I'm sure Peter Oundjian is a crucial part of the Symphony's success.Greg Sandow on Philharmonic clarification
Christina, when the Philharmonic played in Lewisohn Stadium, they didn't have any marketing department. Or any corporate sponsors. Those things...D Shapiro on Good news from Toronto
As a subscriber, and a parent of a 29-year-old, I can provide a little insight. My daughter is fairly typical...Christina Jensen on Philharmonic clarification
If that is true, it's unlikely any publicists were involved, but rather marketing departments and corporate sponsorship folks. http://nyphil.org/support/corporate_benefits.cfmJon Silpayamanant on Good news from Toronto
Some classical music institutions attract a young audience by lowering ticket prices, but then they need funding to offset the...