Something wonderful in Andrew Druckenbrod’s
Pittsburgh Post-Gazette
href="http://www.post-gazette.com/pg/07035/758706-42.stm">piece
no, not simply what he and various Pittsburgh Symphony musicians say about how people
in the audience should feel free to clap between movements. And maybe even
during the music.
No, what struck me even more was Andy’s many links to
musical examples, which bring to life so many things he talks about. He even
includes both live and studio recordings of “Un
class=SpellE>bel style='mso-bidi-font-style:normal'>Madama
the orchestral postlude.
And this is his idea. It’s not a Post-Gazette policy, but rather something Andy does on his own,
because he thinks — and of course he’s right — that it’s helpful to his
readers. Note that it’s a fair amount of extra work (as I know very well,
because I’ve put music online myself). But he does it anyway. Give him the hero
of the day award, for making online music writing far more vivid. And no, I don’t
think he’s the only person doing this, but he might be the only newspaper
critic doing it regularly with online versions of his published pieces.
If anybody else does it regularly, please let me know, and
you’ll get a hero of the day award, too!
(Full disclosure. Andy once wrote a
very friendly profile of me. But I’d praise anyone who did what he’s doing. And
in fact I found out about, not from him — and not even from the
class=SpellE>ArtsJournal
me about the piece because of what it said about applause.)


Recent Comments
Greg Sandow on Good news from Toronto
Thanks! It's wonderful to have this corroboration. I'm sure Peter Oundjian is a crucial part of the Symphony's success.Greg Sandow on Philharmonic clarification
Christina, when the Philharmonic played in Lewisohn Stadium, they didn't have any marketing department. Or any corporate sponsors. Those things...D Shapiro on Good news from Toronto
As a subscriber, and a parent of a 29-year-old, I can provide a little insight. My daughter is fairly typical...Christina Jensen on Philharmonic clarification
If that is true, it's unlikely any publicists were involved, but rather marketing departments and corporate sponsorship folks. http://nyphil.org/support/corporate_benefits.cfmJon Silpayamanant on Good news from Toronto
Some classical music institutions attract a young audience by lowering ticket prices, but then they need funding to offset the...