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Greg Sandow on the future of classical music

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Archives for November 2006

Following a hunch

November 5, 2006 by Greg Sandow

Not long ago I looked up the biographies of all kinds of people who worked with Motown in the '60s -- stars (Diana Ross, Mary Wells, Stevie Wonder, Smokey Robinson, Marvin Gaye), members of vocal groups (the Temptations, the Four Tops, the Marvelettes), songwriters (Lamont Dozier, Brian and Eddie Holland), and sidemen (James Jamerson). I wanted to know where all these people lived when Motown found them, and thought that I could guess the answer. And my hunch was right. Almost everybody lived in Detroit, where Motown was located. Most were … [Read more...]

Attention spans

November 5, 2006 by Greg Sandow

Brian Wise, the producer of the Soundcheck show on WNYC in New York, brought up a worthwhile point in a comment to my music education rant. He notes that classical music -- or maybe more specifically classical concert etiquette -- requires people to sit in one place when they listen, while at a Grateful Dead concert, even if the jams were as long as a Haydn symphony, people could get up and walk around. That's true. But when I read it, a little light bulb went off in my mind. That classical audience -- are they really paying attention? I don't … [Read more...]

The myth of music education

November 3, 2006 by Greg Sandow

Or, rather, the myth that people have to be educated to like classical music. This is a common, and deeply held belief. I ran into it a couple of times during the visit my wife and I made to Bowling Green State University. We took part in panel discussions on the future of classical music, and sometimes people said -- speaking with pure, and deeply felt sincerity -- that people wouldn't start liking classical music until they learned about it, maybe even learned to play a classical instrument. I sympathize with the people who believe this. … [Read more...]

A visit to New Orleans

November 3, 2006 by Greg Sandow

Last weekend (that's October 27th and 28th), the Lousiana Philharmonic did a notable weekend of new music. I was part of it, as one of the judges of a composers' competition. But lying behind everything they did -- and making it even more important -- is (of course) the situation in New Orleans, which is really sobering to see. More on that later, though it might be the most important part of this post. But the orchestra! They called their weekend "Festival of Living Composers," which (speaking affectionately, as a friend) I might say is just … [Read more...]

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Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

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How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

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