I’m part of a long podcast from
href="http://www.radio-allegro.com/">Radio Allegro w:st="on">
interviewed by a very smart and lively guy, Ashley Foot. The
class=SpellE>podcast
of several people who pick a piece of summer music we love. And, OK, I picked a
piece of autumn music I’d heard in the winter, “Harvest Moon,” the deeply
beautiful Neil Young song (from his ’90s album of that name), as he sings it in
the Jonathan Demme concert film, Heart of Gold. I’ve
href="http://www.artsjournal.com/sandow/2006/02/delight.html">raved
that film here; it’s not just an unforgettable human and musical document, but
a model example of how to put a musical performance on film. We in classical music
would just about drop dead with joy if we did one quarter as well.
So on the podcast, I talk about
the song, and, bless me, I just about start crying. It’s not just the beauty of
the music, or of the idea behind the song, a deepening love story involving
people who aren’t youthful any more. The people involved are right on the film,
too — Young and his wife, who’s one of the backup singers. At the end of the
performance, he sings “I’m still in love with you/I want to see you dancing.”
And he turns around to look at her, and all the backup singers start smiling,
and I just lose it. You might, too, if you see the film, now available on DVD.
But you can hear the song on the podcast,
and hear my talk about the future of classical music as well. I do a lot of
radio, from time to time, but this session, with someone I’d never known of
before, for an organization I’d never heard of, is one of my happiest radio
experiences.
I start at around an hour and 18 minutes into the
class=SpellE>podcast href="http://www.radio-allegro.com/">website href="http://click.linksynergy.com/fs-bin/stat?id=eK4NgdMrdyQ&offerid=78941&type=3&subid=0&tmpid=1826&RD_PARM1=http%253A%252F%252Fphobos.apple.com%252FWebObjects%252FMZStore.woa%252Fwa%252FviewPodcast%253Fid%253D157456650%2526partnerId%253D30">
class=SpellE>iTunes
work unless you have iTunes on your computer.)


Recent Comments
Greg Sandow on Good news from Toronto
Thanks! It's wonderful to have this corroboration. I'm sure Peter Oundjian is a crucial part of the Symphony's success.Greg Sandow on Philharmonic clarification
Christina, when the Philharmonic played in Lewisohn Stadium, they didn't have any marketing department. Or any corporate sponsors. Those things...D Shapiro on Good news from Toronto
As a subscriber, and a parent of a 29-year-old, I can provide a little insight. My daughter is fairly typical...Christina Jensen on Philharmonic clarification
If that is true, it's unlikely any publicists were involved, but rather marketing departments and corporate sponsorship folks. http://nyphil.org/support/corporate_benefits.cfmJon Silpayamanant on Good news from Toronto
Some classical music institutions attract a young audience by lowering ticket prices, but then they need funding to offset the...