Concert with dancing

I can hardly say enough about

href="http://ericedberg.com/">Eric Edberg, a cellist and professor at the

DePauw University School of Music. He’s one of the people I’ve met through this

blog (and through my online book),

and he and I have been giving each other lots of encouragement. Among much

else, he’s writing an online

book himself (which I’ve mentioned here before), about how important

improvisation is — or should be — for classical music. It’s

important reading.

On August 30, he gave a quietly important concert. Well,

maybe “quiet” is the wrong word; the concert was anything but that. This was an

explosive event; by “quiet” I just meant that it wasn’t publicized all over the

country. It was a cello and piano recital, with the very fine (to judge from

href="http://ericedberg.com/eric_edberg_recordings.htm">recordings on Eric’s

website) Stephanie Gurga. And Eric, too, is pretty

terrific.

This concert wasn’t a normal classical event. But let Eric

describe it himself. Here’s the e-mail announcement he sent out:

style='mso-bidi-font-weight:normal'>Wednesday Aug. 30

style='mso-bidi-font-weight:normal'>7:30 PM Thompson Recital Hall in the PAC

The Romantic Cello: An Informal and Interactive Musical Event

Eric Edberg, cello and Stephanie Gurga, piano

featuring short, entertaining pieces

class=GramE>one

style='mso-bidi-font-weight:normal'> hour max

performers in jeans

clap whenever you want

and dance in the aisles if you feel like it

Ever think classical concerts are

too formal and have too many intimidating rules? Could one of the reasons

classical audiences are growing older and smaller be that the whole stuffy

ambience, in which newcomers are shamed if they do something natural like clap

between movements or during a movement, be part of the problem? (Did you know

that before the 20th century, audiences clapped between movements and even

during them, and composers like Mozart encouraged

it?)

Stephanie Gurga

(a recent SoM grad and brilliant pianist) and I think

so. So we’re trying an experiment. To make the atmosphere unintimidating,

we’re going to dress very casually in Wednesday evening’s recital. I’m wearing

jeans.

And the usual rules of audience

deportment are suspended for one night. Clap between movements (well, there’s

only one multi-movement piece). Clap after a good lick, or shout out an

"amen" or a "boo." Dance in the aisles or in front of the

stage.

I made a deal with my first-year

seminar class (which is looking at the future of classical music): I’ll wear

jeans and make the concert as fun as possible if they’ll bring someone new to

classical music to the recital. So I’m making the same invitation to all

you music majors. Our future as classical performers is dependent on getting

young people to start coming to classical concerts again. Let’s see if this

helps.

Bring a friend who’s not a

classical concert-goer, and let them know they don’t

have to worry about clapping at the wrong time.

And the result? A huge crowd came,

compared to the normal faculty recital. You can read more about it on the

href="http://www.depauw.edu/news/index.asp?id=18002">DePauw website, and on

Eric’s blog (

href="http://ericedberg.blogspot.com/2006/08/my-experiment-in-alternative-classical.html">here,

href="http://ericedberg.blogspot.com/2006/08/comfort-zone-what-comfort-zone.html">here,

and

href="http://ericedberg.blogspot.com/2006/08/comfort-zone-what-comfort-zone.html">here).

Plus there’s a

href="http://ericedberg.blogspot.com/2006/08/comfort-zone-what-comfort-zone.html">video

of part of the concert on the DePauw site, and many, many

href="http://ericedberg.blogspot.com/2006/08/classical-music-in-jeans-concert.html">comments

on Eric’s blog from people who were there, plus one from the pianist. Very

thoughtful comments, not all favorable; you read them, and you get a very clear

idea of how unusual an event like this is, in the classical music world, how

tricky it can be to make the event work (or at least to please everybody with

it0, and how wonderfully valuable even the attempt is — not that I’d rank this

as any kind of failure. People really did dance in the aisles, as you’ll see in

the video. You might also get the idea that the concert was complete chaos, but

that’s misleading. See Eric’s

href="http://ericedberg.blogspot.com/2006/08/sky-really-is-falling-so-dance.html">own

assessment, which is well worth reading. This is the last of the links I

gave above, to his blog posts about the concert. Here’s part of it:

So my experiment with this concert

was not about a new way to experience music for people who already love

classical music the way it is. It was about creating an experience for non-musicians

in which they could experience classical music in an interactive way. One in

which their aliveness would not be deadened, but enhanced. I always hope that

an audience will leave a concert more alive than when they came. As this

concert approached, I decided I wanted to remove all the fear, all the

inhibition, and let whatever wanted to happen happen.

How enlivening can we make it for the audience?

Sure, there were times in which the

audience participation reminded me of all the carrying on many new college

students do: no rules, so let’s run wild, let’s do it because we can. OK. But

really, so what? As the concert went on, there was less and less of that, and I

think if we have more events like this a new culture will develop.

This concert was not for the

classical music lovers. The concert was for the people who don’t go to

classical concerts and came because this one was different. Who came because

someone invited them.

So I asked my seminar class this

morning what the friends they brought thought. "My friend said, ‘Oh my

god, it was absolutely orgasmic,’" one told us.

There’s much more. It’s all worth pondering.

class=GramE>Many kudos to Eric and Stephanie Gurga

for doing this, for bringing it off with such panache, and for getting so much

attention for it.

Which leads to a question? Who else has done anything like

this? One of my Juilliard students, years ago, tried to get people to clap

during the music (if they felt like it), during her graduation recital, but

with no luck. I got people clapping during Mozart’s Paris Symphony at one of

the Pittsburgh Symphony’s now-defunct “Symphony with a Splash” concerts, just

as the audience at the symphony’s 18th-century premiere did. But surely others

have done what Eric and Stephanie Gurga did, or

something in at least the same direction. I’d love to hear about it!