In my last post, I talked about walking in
But there’s more to say about walking. It was heavily hot, almost unbelievably so. If I came out from an air conditioned store, the heat was a shock, no matter how many times I encountered it. The air seemed to weigh three times what it normally does.
The streets were full of people, though, at least in the places I walked. And walking was disruptive. Every time I’d pass a store, and someone was coming out of it or going in, a blast of cold air would hit me. And, sure, this was welcome, but it was also jarring.
The smells were disruptive. Not just exhaust, but, striking without warning, smells of garbage, soot, and chemicals I might rather nobody identified.
And inside every store was music. I’m talking about major stores, like Macy’s and Bed,
But wait. Now have I contradicted what I’ve been writing in my posts about younger people and pop culture? Not at all. I don’t think that everything in the culture around us is wonderful. But the important point is that people who don’t spend time with high culture—people outside the arts (if such a phrase means anything)—aren’t therefore plunged into blasting music every moment of their lives, with no escape. Plenty of people in pop culture hate the constant noise as much as people who identify with classical music do. And they can escape it just as well with acoustic pop, ambient dance music, folk music, world music, and many kinds of jazz as classical music people can escape with string quartets and Chopin nocturnes.
Again we have to guard against the silly (and self-promoting) claim that only we have an alternative. Instead, if we want to fight the blasts of noise, we should ally ourselves with everyone who makes quiet and reflective music, in every genre. Besides, a lot of classical music is loud (and its loudness has been marketed to heavy metal fans). But that’s another story.


Recent Comments
Greg Sandow on Good news from Toronto
Thanks! It's wonderful to have this corroboration. I'm sure Peter Oundjian is a crucial part of the Symphony's success.Greg Sandow on Philharmonic clarification
Christina, when the Philharmonic played in Lewisohn Stadium, they didn't have any marketing department. Or any corporate sponsors. Those things...D Shapiro on Good news from Toronto
As a subscriber, and a parent of a 29-year-old, I can provide a little insight. My daughter is fairly typical...Christina Jensen on Philharmonic clarification
If that is true, it's unlikely any publicists were involved, but rather marketing departments and corporate sponsorship folks. http://nyphil.org/support/corporate_benefits.cfmJon Silpayamanant on Good news from Toronto
Some classical music institutions attract a young audience by lowering ticket prices, but then they need funding to offset the...