Press releases -- including a good one

I've gotten lots of e-mail about press releases, most of which -- including one message from the executive director of a notable orchestra -- agrees with me. (Forgive me if you've written, and I haven't answered yet.) Though one major orchestra publicist felt just a bit "offended."

Some people raised an important point, that the materials -- biographies and photos -- that publicists get from artists and their managers aren't any good. That's true (and in fact I've been hearing that complaint for years). I'm going to address it; I've got a ghastly official biography of a top pianist, from the Carnegie Hall program book, which I'll soon dissect.

Publicists, though, might consider interviewing artists whom they work with, to uncover useful information that isn't in the official bios. Though then you run into another problem -- some artists (or is it their managers?) don't want their bios or press releases to be any different from the pointless standard model. They want every distinction, every award, every bit of praise, every important performance mentioned, for fear that people will think they haven't achieved these things! Sad, to the extent that it's still true.

Meanwhile, here's a good press release, brief as it is, from the Carson City [Nevada]Symphony. Notice that it makes a concert sound friendly and interesting, and even includes an evocative description of a new work:


CARSON CITY SYMPHONY PRESENTS
"SYMPHONIC DANCE" CONCERT
WITH INTERNATIONAL TAP STAR,
SAM WEBER, APRIL 24


The Carson City Symphony, conducted by David Bugli will perform on Saturday, April 24, 7:30 p.m., at the Carson City Community Center theater.  The program, "Symphonic Dance," will feature guest soloist Sam Weber in Morton Gould's "Tap Dance Concerto," and the world premiere of Gwyneth Walker's new work, "Symphonic Dances," written in celebration of the Symphony's twentieth season.  The concert also will include the premiere of "Allegro" from "Argentia," a suite for flute and orchestra by Argentinean composer Adriana I. Figueroa MaƱas, with soloist Carol Grenier.  Rounding out the program will be several Hungarian Dances by Johannes Brahms.   An informal preview discussion, with conductor, composer, and soloists, begins at 6:45 p.m. in the Bonanza Room adjacent to the lobby.

Music Director and Conductor David Bugli said, "The Symphony has played several works by Gwyneth Walker, including two commissioned pieces, in the past.  Her new work, 'Symphonic Dances,' is a suite of five dances, which are celebratory and fanciful, an expression of the composer's imagination roaming freely.  Her encounter with wild horses in Nevada inspired one of the movements, 'Dance of the Wild Ponies.'"

Sam Weber is an international performing artist, master teacher, and choreographer.  He studied in New York at the Juilliard School and has performed with several dance companies, including the Joffrey II, San Francisco, and Sacramento Ballets; in musical theater; and in television productions.  Weber, known as "the fastest feet in tap," is a winner of New York's "Bessie" award.  He is the permanent Guest Artist of Sierra Nevada Ballet, and is one of few tap dancers in the world currently performing Gould's "Tap Dance Concerto," a work in the classical concerto tradition, with the tap dancer as soloist.

April 9, 2004 12:30 PM |

Categories:

Resources

Age of the Audience 
Conventional wisdom: the classical music audience has always been the age it is now. Reality: It used to be younger -- dramatically younger, in fact. Here's some evidence -- actual texts of old studies, links to NEA studies -- plus my blog posts on this subject. more

earlier resources

Things I like

Frank O'Hara... 
...or rather these lines from one of his poems, quoted today in the New York Times Book Review: more

The Ten-Cent Plague
 
To paraphrase the old quote about the Nazis: "They came for the comic books, but I didn't read comic books..." more

Improvisation Games
 
An inspired book... more

Elektra 1957
 
Seismic recording.  more

Carmen Sings Monk
 
It's piano music, but she'll sing it anyway...
more
more things

About this Entry

This page contains a single entry by Sandow published on April 9, 2004 12:30 PM.

More fat was the previous entry in this blog.

Misunderstanding pop is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

special
Program Notes
the blog of the National Performing Arts Convention
culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.