Check out this month’s Vanity Fair — they put Paul Kellogg, the man who runs the New York City Opera, in their hall of fame. And for reasons that have everything to do with art, not glitz.
Which brings me back to my post some months ago about Vanity Fair‘s annual music issue. They’d featured two classical artists, Juan Diego Florez and Anna Netrebko, both heavily pushed by Deutsche Grammophon’s publicists. I wondered what it would take to get the magazine to highlight classical people who aren’t glamorous, and aren’t the flavor of the month.
Well, they just did it. So take note, classical music publicists (perhaps working for the Chicago Symphony, or the Cleveland Orchestra, or…choose your own favorite). Vanity Fair apparently is open to you. How do you get your people on its pages?










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I wonder why they stopped having that contest. Which you modestly don't mention that you won! I might suspect that...John Montanari on …for…
This is an excellent example of an mind-set that is still far too prevalent in all classical programming, whether for...petersachon on …for…
I, for one, miss their fantasy program contest. It was so interesting seeing what people came up with, and why.ken nielsen on Spring…
Interesting thoughts, Rick. thank you. I know little of Detroit and am glad that there seems to be pockets of...David Snead on Two paths
PS Reading your last post again, Greg, I think you've got the best marketing & communications practices for attracting a...