Archives for May 2010

Desmond has been in my thoughts today, back to the weeks before his death of lung cancer in 1977 at the age of 52. We talked frequently during that time. Here are two excerpts from Take Five: The Public and Private Lives of Paul Desmond, then a song that Paul cherished. He and Dave Brubeck played it … [Read more...]

Occasionally, the Rifftides staff trolls the archives with an eye for older posts that hold up. Here is one from three years ago this Memorial Day weekend. Time out of the writing crunch to hear successive Jessica Williams concerts was time well spent. Williams has taken a liking to The Seasons and … [Read more...]

Keith Jarrett/Charlie Haden, Jasmine (ECM). Keith Jarrett has had partnerships with powerful and distinctively different bassists; Gary Peacock since 1983 in the pianist's Standards Trio; Palle Danielsson in the late 1970s in Jarrett's European Quartet; Charlie Haden in his mid-70s quartet. For all … [Read more...]

On a collection of horns that amounts to an instrument museum, Scott Robinson plays every style of jazz from traditional to free. One night he might be with the cornetist Jon-Erik Kelso playing music inspired by Bix Beiderbecke, the next anchoring the floating impressionism of Maria Schneider's … [Read more...]

Back off the road and facing deadlines, I'm still in a blogging-lite mode. We were in Seattle to see the world premiere of Daron Hagen's opera Amelia. The final performance was Saturday night, but this grand fugue of an opera is too good not to have further productions. Following the Seattle Opera's … [Read more...]

Broadcast tributes to Hank Jones continue. Jim Wilke of Public Radio International's Jazz After Hours alerts Rifftides that he is preparing two for this weekend. From the Jazz After Hours alert: Jim remembers the rich legacy of pianist Hank Jones, who died last week at the age of 91. Hank Jones' … [Read more...]

The counterpoint that Dave Brubeck and Paul Desmond generated in the early-to-mid 1950s leads many serious listeners to consider the period the creative height of their partnership. For all the success of their later work, including "Take Five," after the late fifties counterpoint was a less … [Read more...]

In The New York Times "City Room" blog, Corey Kilgannon and Andy Newman have a strange, poignant followup to the news of Hank Jones's death. No one who knew Hank will be surprised at the selflessness it portrays or be unmoved by its tale of loneliness. He stayed active till the very end, … [Read more...]

Deadlines and other obligations at Rifftides World Headquarters and elsewhere will keep me occupied for the next few days. Blogging will be as possible. In the meantime, the staff encourages you to browse five years worth of archive postings. Go here and scroll down. Be prepared to do … [Read more...]

The parade outward continues. Hank Jones died last night in a New York hospital following a brief illness. He was 91. For a thorough obituary, see this piece by Peter Keepnews in The New York Times. The last times I heard Mr. Jones, at the 2008 Lionel Hampton festival, his elegance, celebrated … [Read more...]

A year-and-a-half ago, I wrote a piece about Al Cohn for The Note, the newsletter of The Al Cohn Memorial Jazz Collection at East Stroudsburg University in Pennsylvania. The school is a part of the state system of higher education and of a jazz community that thrives in the Delaware Water Gap area … [Read more...]

Television was a long time coming to the little eastern Washington town where I grew up. As a boy, I listened to a lot of radio. It made pictures in my head. One of the pictures was of something called a Mighty Wurlitzer and the woman who played it. It seemed that the theme music or background of … [Read more...]

Devotees of medium-sized bands, some of which are discussed here and here* in the Rifftides archives, will enjoy Ed Leimbacher's new posting on his I Witness blog. His piece begins with a series of puns so bad that they're bad, but goes on to provide entertaining and useful information about groups … [Read more...]

Marc Myers, the proprietor of Jazzwax, wrote an interesting Wall Street Journal article about widows of prominent jazz musicians. He focuses first on Laurie Pepper (pictured with her husband), who makes a business of maintaining Art Pepper's legacy. She has issued on her Widow's Choice label several … [Read more...]

Nat King Cole & Friends, Riffin': The Decca, JATP, Keynote and Mercury Recordings (Hip-O Select). This three-CD box begins with 17 tracks of a trio that served as the model for groups led by Art Tatum, Oscar Peterson, Page Cavanaugh and too many others to list. Nat Cole became one of the most famous … [Read more...]

Lena Horne is being remembered with the respect and admiration that her talent and tenacity won her in decades of struggle and refusal to compromise. Her travails and triumphs are recounted in dozens of obituaries on the air, on web sites and in publications around the world. This one from The New … [Read more...]

Bill Carrothers, Joy Spring (Pirouet). Carrothers, a pianist, lives in a remote area of Michigan, has a quixotic web site and records copiously for European labels. A prodigious technician, he is a master of the reassembled melody and the customized harmonic scheme. Here, he renovates pieces from … [Read more...]

Hal Galper, E Pluribus Unum (Origin). You won't be hearing Galper on your favorite easy listening station. The past few years, the pianist has used sonic density, astringent harmonies, massive technique and powerful swing to build intricate edifices. Galper's music is demanding beyond even the … [Read more...]

Occasionally, a Rifftides reader sends a message compelling enough that it demands posting not as a comment but as a full-fledged item. In the blog's five years, there have been few. Jeff Sultanof's recent recollection of Gene Lees was one. A few days later, we have Peter Kountz's tribute to Rob … [Read more...]