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Delaware Museum Sells More Art

The Delaware Art Museum issued a statement late yesterday saying that it had sold its beautiful Winslow Homer, Milking Time (at right), and a painting by Andrew Wyeth,  Arthur Cleveland, to pay off its debts. That makes four art works sold to pay for bad mistakes (overexpansion, imo) by the museum’s board and administration. You’ll […]

The Broad Museum Answers Back

Several days ago, I asked here if any other art museums in the U.S. were spending as much money buying art as the Crystal Bridges Museum. I had added up the announced purchases over the past year or so by Crystal Bridges and it came to more than $150 million. I could think of only […]

Crystal Bridges Makes A Few Announcments

When it come to art purchases, there could  be a “Crystal Bridges” watch–it seems to me that the museum in Bentonville built largely with Alice Walton’s and the Walton Family Foundation’s money is spending more money buying art than another other U.S. museum currently open to the public. For a short item in tomorrow’s New […]

The Brooklyn, The Whitney…Oh My! (Or, While I Was Away…)

I didn’t actually post here at RCA that I would be away for about a week around the Memorial Day weekend, so I am sure that it looked as if I was perhaps speechless last week when major announcements came out from the Brooklyn Museum* and the Whitney Museum. I was simply AWOL–in Spain, actually, […]

The Shocking Cooper Hewitt, Part Two

Aside from the maltreatment of its beautiful historic building, which I wrote about here nearly three weeks ago, something else is deeply wrong with the new incarnation of the Cooper Hewitt National Design Museum: the display and the contextualization of the objects in the displays simply don’t measure up to minimal standards. To be sure, visually […]

The Shocking Cooper Hewitt

Many curtain-raisers for and reviews of the newly renovated and reconceived Cooper Hewitt National Design Museum have focused on its use of technology to make the museum interactive, participatory and therefore supposedly of more interest to young generations who are not satisfied with just looking. One recent Saturday, I finally made it to this new […]

A Giant Step Forward At The Met

When I visited The Plains Indians: Artists of Earth and Sky at the Metropolitan Museum on Saturday afternoon, I was prepared to be delighted–and I was, in more ways than one. The Nelson-Atkins Museum, which co-curated the show with the Musee du Quai Branly in Paris, had primed me for how beautiful it was going to […]

The Coke Bottle And The High: Too Close For Comfort?

The commercialization and entertainmentization of art museums continues. The High Museum in Atlanta just stooped to mounting an exhibit titled The Coca-Cola Bottle: An American Icon at 100.  Atlanta is the birthplace of Coca-Cola and the company is probably a major benefactor of many organizations, including the High, in Atlanta. But still. I could not […]

“Provocative Intervention” In Dulwich’s Galleries

The other day, the Dulwich Picture Gallery announced a 2015 program with “an intervention in the Gallery’s permanent collection offering a provocative challenge to the public.” And what could that be? Rather provocatively, it’s an exhibition called Made in China, and it’s described this way in the press release, as …a unique intervention that questions the […]

Walters’ Founding Story: Good, Except…

I really enjoyed my visit to the Walters Art Museum early this year. However, it is suffering a malady that must be discussed–because it is far from the only museum afflicted by this disease. I went to see From Rye to Raphael: The Walters Story, a new installation that is intended to inform (or remind) […]

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