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Jumper

Diane Ragsdale on what the arts do and why

Why Beauty in a Business School?

 

babyA couple weeks ago I wrote a post about the course in beauty that I am teaching this term at UW-Madison, under the auspices of the Business School and the Bolz Center for Arts Administration. In that post I promised to provide an essay in which I address the literature that has, thus far, informed my thinking. That essay (published as a separate PDF) is called Why Beauty in a Business School? and it is an attempt to provide some justification for offering a course in beauty at a business school.

It is not lost on me that there is something rather ironic about justifying a course in beauty and aesthetics in a business school in terms other than “for the sake of learning about the thing itself.” When I proposed to teach the class it didn’t occur to me that I would need such justifications. I thought, “Wouldn’t anyone benefit from time spent thinking about beauty?”

I certainly would have when I was at university.

But, of course, such a perspective is naïve. As much as I and other humanities-types may see the intrinsic value of beautiful experiences (in a business school as much as anywhere), a course like this, in this particular setting, is not intuitive. Further justifications are warranted. Thus, this essay is an answer to those (arts types, business types, and arts-and-business types) with furrowed brows who have asked me over the past year, “Why should business schools teach their students about beauty?”

Part of me wants to quip, “Well, they probably shouldn’t if they aren’t convinced that aesthetics, art, nature, and beauty matter.” However, I recognize the question is sincere and so I have endeavored to offer a sincere response. Moreover, the management scientists and other scholars cited in this paper make compelling arguments for beauty in a business school.

The essay attempts to delve into and piece together (though it is far from a synthesis) what I have gleaned over the past year. It is by no means a comprehensive literature review. I have gone straight for the literature that is focused on the value of aesthetics or beauty in higher education and business schools in particular–and have not attempted to back up and address the broader question of aesthetics and beauty and why they matter in art or life, more generally. This is a new area for me. I have an MFA in Acting but spent most of my career in management and philanthropy; my dissertation research is theater history with a neo-institutionalist bent. If anything has prepared me to teach this class (which emphasizes the experience of beauty rather than the philosophy of aesthetics) it is the several years that I lived in NYC and saw 150-200 performances a year (in theater, dance, music, opera, performance art).

So, this is my first plunge into the topic and it is a working document. I hope you will submit suggestions for further reading as well as critiques—particularly if I have misunderstood or mischaracterized anyone’s work.

This essay is more academic in style and tone than my typical Jumper posts–in large part this is because academics were the first audience for this piece. It’s also long (~5,000 words) so grab a large cup of coffee before you dig in.

I hope it’s not tedious.

The class starts today (Tuesday, Feb 10) and I could not be more enthused. I will use Jumper to give a sense of our weekly readings, experiences, assignments, and discussions.

Thanks for taking the time to read and respond.

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Recent Comments

  • Andrew Taylor on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Love this line of thinking, Diane! Although I also wonder about the many small, safe-to-fail ways you could explore randomness…” Feb 21, 22:54
  • Rick Heath on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Thanks Dianne Compelled and confused! (Not for the first time, and not entirely because of your words, but somewhat because…” Feb 5, 07:20
  • Diane Ragsdale on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Hi Ella! Thanks so much for taking the time to read and engage with the post. Thank you for reminding…” Feb 2, 18:19
  • Diane Ragsdale on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Caroline! Thanks so much for reading and sharing reflections. I am compelled by your idea to have an entire college…” Feb 2, 18:18
  • Diane Ragsdale on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Margaret, Thank you for taking the time to read and comment and for the warm wishes for my recovery. I…” Feb 2, 16:57

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A Few Things I’ve Written

"Surviving the Culture Change", "The Excellence Barrier", "Holding Up the Arts: Can We Sustain What We've Creatived? Should We?" and "Living in the Struggle: Our Long Tug of War in the Arts" are a few keynote addresses I've given in the US and abroad on the larger changes in the cultural environment and ways arts organizations may need to adapt in order to survive and thrive in the coming years.

If you want a quicker read, then you may want to skip the speeches and opt for the article, "Recreating Fine Arts Institutions," which was published in the November 2009 Stanford Social Innovation Review.

Here is a recent essay commissioned by the Royal Society for the Encouragement of the Arts for the 2011 State of the Arts Conference in London, "Rethinking Cultural Philanthropy".

In 2012 I documented a meeting among commercial theater producers and nonprofit theater directors to discuss partnerships between the two sectors in the development of new theatrical work, which is published by HowlRound. You can get a copy of this report, "In the Intersection," on the HowlRound Website. Finally, last year I also had essays published in Doug Borwick's book, Building Communities Not Audiences and Theatre Bay Area's book (edited by Clay Lord), Counting New Beans.

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