
And then I sent a photo of the Ernest Hemingway plaque in the series ... Which drew this reply ... Serving as further testament to what has been lost, or as the poet noted with his reply, "Pace Hemingway." … [Read more...]
Arts, Media & Culture News with 'tude

And then I sent a photo of the Ernest Hemingway plaque in the series ... Which drew this reply ... Serving as further testament to what has been lost, or as the poet noted with his reply, "Pace Hemingway." … [Read more...]

When I sent Heathcote Williams a photo of the Francis Bacon plaque in the Library Walk series ... He replied with an ironic poem, like so ... ... which illustrates a difference between the 16th century and the 21st, doncha think? … [Read more...]
![A bronze plaque from 'Library Walk' in midtown Manhattan [designed by Gregg Lefevre, 1998]](http://www.artsjournal.com/herman/wp/wp-content/uploads/2013/05/LIBRARY-WALK-dylan-thomas560-150x150.jpg)
On my way to work I sometimes take a street in midtown Manhattan where an unsung marvel known as "Library Walk" celebrates the world's great books and writers. For the length of two city blocks I'm distracted by bronze reliefs in granite plaques set into the sidewalk. They are beautiful to look at and inspiring to read. This one, for instance, memorializes Dylan Thomas: Although they're unsung, I'm hardly the first to notice the 96 plaques that line 41st Street between Park and Fifth Avenues. See Clyde Haberman's story in The New York … [Read more...]

I knew my friend Bill Osborne and Samuel Beckett had met and spoken about Osborne's musical settings of Beckett's plays. But I had never heard the details. Now at last the full story! By William Osborne I spent seven years doing nothing else but setting the works of Beckett to music. At the end in 1987, I gathered up all the scores and some recordings of them I had, and dropped them into the mail box of his Paris apartment. I knew he was a recluse and a bit of a misanthrope. I figured I would never hear from him and just forgot about it. … [Read more...]
!['Writers at Work' [From Gerard Bellaart's 'Superimpositions' series]](http://www.artsjournal.com/herman/wp/wp-content/uploads/2013/05/writers-at-work-13not-I-150x150.jpg)
Following up on the previous blogpost, Gerard Bellaart sent a superimposition of several lines on Beckett's short dramatic monologue "Not I." Bellaart also sent an excerpt from Michael Maier's paper, "GEISTERTRIO: Beethoven's Music in Samuel Beckett's 'Ghost Trio.'" To which, Bellaart says: "The debate as to whether music has the last word is rather like looking for reasons to believe in the absurd." … [Read more...]
'Oh, this is a happy day. This will have been another happy day. After all. So far ..." … [Read more...]

Cold Turkey Press has just put together a beautiful portfolio of menu-size collages by Norman O. Mustill dating from 1975, when Mustill sent them to Carl Weissner, who wanted to illustrate his German translation of Harold Norse's Beat Hotel with Mustill's artwork. Phew ... got that? Weissner didn't receive the collages in time to make the publisher's deadline because Mustill was delayed by work on another project. So Weissner put the collages in a drawer. Nobody saw them for the next 37 years except, it turns out, for three that were published … [Read more...]
!['Sacred Elephant' by Heathcote Williams [Naxos]. Read, unabridged, by the author.](http://www.artsjournal.com/herman/wp/wp-content/uploads/2013/04/SACRED-ELEPHANT-NAXOS-100.jpg)
I haven't seen much theater lately, for reasons I may already have mentioned -- so much is dull dull dull -- but the dramatization of Heathcote Williams's epic poem, "Sacred Elephant," has got my attention as nothing has in years. The show, not yet officially announced, is coming in September to La MaMa's First Floor Theatre on Manhattan's Lower East Side. It is to star Jeremy Crutchley, reprising an acclaimed solo performance, which originated last year in Cape Town, South Africa. "Sacred Elephant" is the second of four epic poems that … [Read more...]

And for further edification, there's "A Secret Deal on Drones, Sealed in Blood" about the "origins of the C.I.A.'s drone war in Pakistan" by Mark Mazzetti and "Targeted Killing Comes to Define War on Terror," about the policy of the "drone campaign" by Scott Shane. They're part of a continuing NY Times series. Mazzetti's latest tells "how a single spy helped turn Pakistan against the United States." … [Read more...]

If I said I put him in a class with the great collagists dating back through the 20th century (like Hausmann, Heartfield, or Höch) -- which I do -- he'd laugh at the presumption. But anyone who has seen Flypaper, his book of demonic collages in black and white, or the huge collages in blazing color that hang on the walls of his desert lair, would know what I'm saying. Not many have seen his work because he refused to play the art game. He has shunned publicity and guards his privacy to an extreme. You certainly won't find much about him on the … [Read more...]
I think of it as "Four Notes and the Dreamachine." … [Read more...]
![Detail of shot canvas [Photo: Eric Andersen]](http://www.artsjournal.com/herman/wp/wp-content/uploads/2013/03/shot-detail-150x150.jpg)
I knew when RealityStudio posted Ian MacFadyen's review of "The Name Is Burroughs: expanded media at the ZKM, Karlsruhe," that it would be a major critique. I had already read his "Codename Burroughs," the pamphlet that accompanied the retrospective, which was excerpted from a more complete text in MacFadyen's book, William S. Burroughs. Cut. With his usual brilliance and lucidity he had made it plain as day what Burroughs was up to, especially in the "third mind" cut-up collaborations with Brion Gysin. Furthermore, when I read the complete … [Read more...]

Ben Schot's drawing, "Study of Majesty" -- executed on the stationary of LES FREGATES Hotel **NN Restaurant, which the Dutch artist uses as a "conceptual constant" for all his drawings -- was not separated at birth from Picasso's "She-Goat." But they look a helluva lot like fraternal twins. I'd say they make a lecherous brother and sister. … [Read more...]
![Rote Fabrikzeitung, Special Issue in Memory of Carl Weissner [March 6, 2013] Click to download the complete issue.](http://www.artsjournal.com/herman/wp/wp-content/uploads/2013/03/CW-RFZ-Memorial-Issue-150x150.jpg)
Click to download a PDF of the complete issue. It's in German and English. … [Read more...]
And here's a Topor bonus. … [Read more...]

The other day a call went out for "comparative obscenities" to add to the literary examples by Bukowski and Catullus. One reader obliged by sending a drawing by Topor, whom he regards as a "sheer genius." Straight Up's staff of thousands agrees and decided to pair Topor's drawing with one of Tomi Ungerer's. (And here's a Topor bonus.) … [Read more...]
![Gerard Bellaart's 'Artaud Fragmentations' [2005]](http://www.artsjournal.com/herman/wp/wp-content/uploads/2013/03/artaud-fragmentations-31gb480-150x150.jpg)
And now for another kind of poem, as unlike "Death Is a Wind That Will Carry You Off" as day from night. It's part of a large series of stenciled texts by the Dutch artist and writer Gerard Bellaart. At the urging of my staff of thousands, examples from Bellaart's word-based series of artworks have been a continuing feature of recent S/U blogposts. The others so far have been "tric trac du ciel," "Throws Up Words," and "ROT NOT." There will be more to come. … [Read more...]
Excerpted from the complete 52-minute work for trombone, video and quadraphonic electronics. Based on the Book of Revelation, the music had its premiere in Montreal, at McGill University, in March 1998. The video was premiered in Taos, New Mexico, in September 2007. Personnel: Abbie Conant, trombone; Norbert Bach, digital stills; William Osborne, music and video. … [Read more...]

This comes from Norman O. Mustill's "raw data" pile. It appeared during World War II in an ad for Good Housekeeping Magazine, warning against "A Dictator's Newest Dream." According to the text that accompanied the ad, "The army has specified that it must be able to carry 4 soldiers with full equipment or a machinegun and crew." It did not come with seat belts and did not get the Good Housekeeping Seal of Approval. … [Read more...]
La Môme et de Rouge, by Heathcote Williams. Narration and montage by Alan Cox. … [Read more...]
When not listening to Bach or Cuban jazz pianist Chucho Valdes, or dancing to salsa, I like to play jazz piano -- but only in the privacy of my own mind.
Another strange fact... Read More…
The agenda is just what it says: news of arts, media & culture delivered with attitude. Or as Rock Hudson once said: "Man is the only animal clever … [Read More...]

I'm the author of A Talent for Trouble, the biography of Hollywood director William Wyler. Putnam published it in hardcover. It is now in … [Read More...]
I've been the senior editor/producer for Entertainment & Arts at MSNBC.com, a staff writer covering arts and culture at the Los Angeles Times, a … [Read More...]
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Recent Comments
Jan Herman on Unbuttoned: Samuel Beckett Meets William Osborne
Done. Thanks for the catch.George Butler on Unbuttoned: Samuel Beckett Meets William Osborne
One more typo to clean up: In the caption under the video link above--to Abbie performing as "Winnie"--her last...william osborne on Unbuttoned: Samuel Beckett Meets William Osborne
Thank you for this, Jan. You are too kind. The "Samuel Beckett Meets William Osborne" is hilarious.Jan Herman on An Absurd Debate About the Last Word
I disagree, Bill. If your reminiscence about Beckett is any measure, I think you should always write blog comments...william osborne on An Absurd Debate About the Last Word
Actually, I wasn’t referring to Gerard’s comment. In fact, I’m embarrassed to say I didn’t do the additional scroll...Jan Herman on An Absurd Debate About the Last Word
Dear Bill -- Now at last the full story! Danke. Merci. I knew you and Beckett had met and...william osborne on An Absurd Debate About the Last Word
One other little thing I forgot. In return for my gift, Beckett wanted to give me tickets to a...william osborne on An Absurd Debate About the Last Word
An interesting topic for me, since I spent seven years doing nothing else but setting the works of Beckett to...Jan Herman onAn Epitaph for Our Golden Era
Thanks, Bill. It puts more light on things. Less irony.william osborne onAn Epitaph for Our Golden Era
“That’s what I find so wonderful, that not a day goes by, to speak in the old style, hardly a...