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Ernest Hemingway, Heathcote Williams, and So Forth

One of the 96 plaques of Library Walk designed by Greenwich Village sculptor Gregg Lefevre.

And then I sent a photo of the Ernest Hemingway plaque in the series ... Which drew this reply ... Serving as further testament to what has been lost, or as the poet noted with his reply, "Pace Hemingway." … [Read more...]

A Difference Between the 16th Century and the 21st

One of the 96 plaques of Library Walk designed by Greenwich Village sculptor Gregg Lefevre.

When I sent Heathcote Williams a photo of the Francis Bacon plaque in the Library Walk series ... He replied with an ironic poem, like so ... ... which illustrates a difference between the 16th century and the 21st, doncha think? … [Read more...]

From Laugharne Boathouse to Library Walk

A bronze plaque from 'Library Walk' in midtown Manhattan [designed by Gregg Lefevre, 1998]

On my way to work I sometimes take a street in midtown Manhattan where an unsung marvel known as "Library Walk" celebrates the world's great books and writers. For the length of two city blocks I'm distracted by bronze reliefs in granite plaques set into the sidewalk. They are beautiful to look at and inspiring to read. This one, for instance, memorializes Dylan Thomas: Although they're unsung, I'm hardly the first to notice the 96 plaques that line 41st Street between Park and Fifth Avenues. See Clyde Haberman's story in The New York … [Read more...]

Unbuttoned: Samuel Beckett Meets William Osborne

Samuel Beckett

I knew my friend Bill Osborne and Samuel Beckett had met and spoken about Osborne's musical settings of Beckett's plays. But I had never heard the details. Now at last the full story! By William Osborne I spent seven years doing nothing else but setting the works of Beckett to music. At the end in 1987, I gathered up all the scores and some recordings of them I had, and dropped them into the mail box of his Paris apartment. I knew he was a recluse and a bit of a misanthrope. I figured I would never hear from him and just forgot about it. … [Read more...]

An Absurd Debate About the Last Word

'Writers at Work' [From Gerard Bellaart's 'Superimpositions' series]

Following up on the previous blogpost, Gerard Bellaart sent a superimposition of several lines on Beckett's short dramatic monologue "Not I." Bellaart also sent an excerpt from Michael Maier's paper, "GEISTERTRIO: Beethoven's Music in Samuel Beckett's 'Ghost Trio.'" To which, Bellaart says: "The debate as to whether music has the last word is rather like looking for reasons to believe in the absurd." … [Read more...]

An Epitaph for Our Golden Era

'Oh, this is a happy day. This will have been another happy day. After all. So far ..." … [Read more...]

Menu-Size Art: Quicker Than You Can Say Fast Food

CR-cover

Cold Turkey Press has just put together a beautiful portfolio of menu-size collages by Norman O. Mustill dating from 1975, when Mustill sent them to Carl Weissner, who wanted to illustrate his German translation of Harold Norse's Beat Hotel with Mustill's artwork. Phew ... got that? Weissner didn't receive the collages in time to make the publisher's deadline because Mustill was delayed by work on another project. So Weissner put the collages in a drawer. Nobody saw them for the next 37 years except, it turns out, for three that were published … [Read more...]

‘Sacred Elephant’ Is Coming to New York’s La MaMa

'Sacred Elephant' by Heathcote Williams [Naxos]. Read, unabridged, by the author.

I haven't seen much theater lately, for reasons I may already have mentioned -- so much is dull dull dull -- but the dramatization of Heathcote Williams's epic poem, "Sacred Elephant," has got my attention as nothing has in years. The show, not yet officially announced, is coming in September to La MaMa's First Floor Theatre on Manhattan's Lower East Side. It is to star Jeremy Crutchley, reprising an acclaimed solo performance, which originated last year in Cape Town, South Africa. "Sacred Elephant" is the second of four epic poems that … [Read more...]

Topor Nails It: Drone Attack Avant la Lettre

From 'Panic Drawings' by Topor

And for further edification, there's "A Secret Deal on Drones, Sealed in Blood" about the "origins of the C.I.A.'s drone war in Pakistan" by Mark Mazzetti and "Targeted Killing Comes to Define War on Terror," about the policy of the "drone campaign" by Scott Shane. They're part of a continuing NY Times series. Mazzetti's latest tells "how a single spy helped turn Pakistan against the United States." … [Read more...]

N.O. Mustill’s ‘Critic’ Lowers the Boom, Whimsically

© 1971 by Norman O. Mustill

If I said I put him in a class with the great collagists dating back through the 20th century (like Hausmann, Heartfield, or Höch) -- which I do -- he'd laugh at the presumption. But anyone who has seen Flypaper, his book of demonic collages in black and white, or the huge collages in blazing color that hang on the walls of his desert lair, would know what I'm saying. Not many have seen his work because he refused to play the art game. He has shunned publicity and guards his privacy to an extreme. You certainly won't find much about him on the … [Read more...]

Kid Congo & The Pink Monkeybirds: ‘Conjure Man’

I think of it as "Four Notes and the Dreamachine." … [Read more...]

MacFadyen Takes ‘Front Porch’ Look at Burroughs

Detail of shot canvas [Photo: Eric Andersen]

I knew when RealityStudio posted Ian MacFadyen's review of "The Name Is Burroughs: expanded media at the ZKM, Karlsruhe," that it would be a major critique. I had already read his "Codename Burroughs," the pamphlet that accompanied the retrospective, which was excerpted from a more complete text in MacFadyen's book, William S. Burroughs. Cut. With his usual brilliance and lucidity he had made it plain as day what Burroughs was up to, especially in the "third mind" cut-up collaborations with Brion Gysin. Furthermore, when I read the complete … [Read more...]

Now for Something from the Lookalikes Department

'A Study of His Majesty' by Ben Schot

Ben Schot's drawing, "Study of Majesty" -- executed on the stationary of LES FREGATES Hotel **NN Restaurant, which the Dutch artist uses as a "conceptual constant" for all his drawings -- was not separated at birth from Picasso's "She-Goat." But they look a helluva lot like fraternal twins. I'd say they make a lecherous brother and sister. … [Read more...]

Red Factory Newspaper, Zurich, Special Issue

Rote Fabrikzeitung, Special Issue in Memory of Carl Weissner [March 6, 2013] Click to download the complete issue.

Click to download a PDF of the complete issue. It's in German and English. … [Read more...]

More from the Comparative Obscenities Department

And here's a Topor bonus. … [Read more...]

From the ‘Let Us Compare Obscenities’ Department

'Con-de-fee' by Topor

The other day a call went out for "comparative obscenities" to add to the literary examples by Bukowski and Catullus. One reader obliged by sending a drawing by Topor, whom he regards as a "sheer genius." Straight Up's staff of thousands agrees and decided to pair Topor's drawing with one of Tomi Ungerer's. (And here's a Topor bonus.) … [Read more...]

‘Artaud Fragmentations’

Gerard Bellaart's 'Artaud Fragmentations' [2005]

And now for another kind of poem, as unlike "Death Is a Wind That Will Carry You Off" as day from night. It's part of a large series of stenciled texts by the Dutch artist and writer Gerard Bellaart. At the urging of my staff of thousands, examples from Bellaart's word-based series of artworks have been a continuing feature of recent S/U blogposts. The others so far have been "tric trac du ciel," "Throws Up Words," and "ROT NOT." There will be more to come. … [Read more...]

‘Music for the End of Time’

Excerpted from the complete 52-minute work for trombone, video and quadraphonic electronics. Based on the Book of Revelation, the music had its premiere in Montreal, at McGill University, in March 1998. The video was premiered in Taos, New Mexico, in September 2007. Personnel: Abbie Conant, trombone; Norbert Bach, digital stills; William Osborne, music and video. … [Read more...]

Raw Data: Armed Drone Prototype

Early armed-drone prototype of World War II vintage.

This comes from Norman O. Mustill's "raw data" pile. It appeared during World War II in an ad for Good Housekeeping Magazine, warning against "A Dictator's Newest Dream." According to the text that accompanied the ad, "The army has specified that it must be able to carry 4 soldiers with full equipment or a machinegun and crew." It did not come with seat belts and did not get the Good Housekeeping Seal of Approval. … [Read more...]

Edith Piaf, ‘The Sound of Suffering Humanity’

La Môme et de Rouge, by Heathcote Williams. Narration and montage by Alan Cox. … [Read more...]

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