More News from Paris: Huge Bookfair Opens Today

Offprint Paris (2014)

Offprint Paris at the Beaux-arts de Paris showcases publishers of art, photography, design, and experimental music labels. The 2014 edition features more than 130 publishers from nearly two dozen countries, an exhibition ("Disarming Design from Palestine"), and a variety of public discussions and signings. Special guests include Paul Soulellis (Library of the Printed Web), Mathieu Cénac (Jean Boîte Éditions), David Desrimais (Jean Boîte Éditions), and Tarek Issaoui (Rrose Editions), and art historian Mehdi Brit discussing his recent book … [Read more...]

The Reviews Are In: How Many Tomatoes for ‘Algren’?

Nelson Algren (photo illustration from 'Algren')

I took a survey of viewers who saw "Algren," the new documentary that recently had its world premiere at the Chicago International Film Festival. Here's what they said: Reviewer #1: Really interesting and fast-paced. It gives me a great sense of the guy without being pious. I’m unsure about the kitschy style. The fast edits and fake newsreels and animations keep things lively -- but it’s tough to think they will age well. Maybe that’s not the point, though. Maybe the point is to repackage Algren for today and let it be the books that age … [Read more...]

Desktopfun: Boo-hooray’s Burroughs Cut/Up Show

desktop fun (burroughs boo-hooray-VDRSVP-triple-combo)

Boo-Hooray, in collaboration with Emory University, is presenting a William S. Burroughs centenary exhibition dedicated to the Cut-Up technique. On view will be hand-edited typescript drafts from the Nova Trilogy, rarely seen publications like the mimeographed newsletter The Burrough and the Sigma Portfolio, alongside correspondence with Brion Gysin, vinyl releases, as well as the original cut-up paper components that went on form his novels. The Cut-Ups began in October of 1959, when Brion Gysin sliced through a pile of newspapers with … [Read more...]

Long-Awaited ‘Algren’ Bows at Chicago Film Festival

'ALGREN' a documentary by Michael Caplan

Is this Nelson Algren's moment? If it is, I don't think he'd give a damn -- not personally -- considering he's gone and how long ago that was. I also don't think he'd appreciate what has become a cliché of the Algren myth -- the forgotten writer. Sure, he's forgotten. Most writers are. And of those who are remembered, many are less worthy than Algren. But let's not forget that in his time he had moments of glory that even the worthiest writers may never have. Maybe the cliché will be retired at least for a little while with the premiere of … [Read more...]

Supervert’s ‘Vision of the Future’ Has Arrived

'POST-DEPRAVITY a vision of the future' by Supervert 32C Inc. [2014]

It is possibly Supervert's most impressive book beauty to date, judging not only from the immaculate white-and-black antiseptic look of it and the heft of it -- the text comes to 240 pages -- but also, obviously, from the read of it. At one level POST-DEPRAVITY is a page turner (literally) and at another a densely reasoned philosophical proposition (indicated by the letters S&M R&D on the book's spine). Set in a hospital, the story updates notions of perversion beyond Sadean for an age beyond technology with characters like Dr. Francis Malenkov … [Read more...]

Cold Turkey Press Does a Nelson Algren Fight Card

Cold Turkey Press: 'The Gloves Came Off' [2014]

I was having such a great time re-reading one of Nelson Algren's "lesser" books -- Who Lost An American? -- that I scanned a little excerpt from the second story, "Down With All Hands," and sent it to Gerard Bellaart. It struck a nerve. He sent back one of his choice Cold Turkey cards. In some cases the stories in the collection read like a burlesque -- satirical, cynical, and above all, funny. "Down With All Hands," while still a parody, has a serious spin to it, as you can see from the excerpt, and was first published in The Atlantic … [Read more...]

Sanders: ‘Book of Glyphs’ = ‘Smile-Book of Grace-Joy’

'A Book of Glyphs' by Edward Sanders [Granary Books, 2014]

Granary Books has just published a facsimile edition of Ed Sanders’ first book-length work of glyphs, which he created in Florence, Italy, in 2008, using colored pencils and a small sketchbook. The publisher notes: Though each piece stands on its own, collectively the 72 glyphs convey, with characteristic humility and humor, many of the themes Sanders has explored over his long and diverse career, including history, myth, activism and pacifism. The glyph — “a drawing that is charged with literary, emotional, historical or mythic and poetic … [Read more...]

Mc Neill’s Diagnosis: ‘Reflux’ in the Metaphysical Sense

'Reflux' by Malcolm Mc Neill [Apophenia, 2014] (back cover)

Updated: See video below. Malcolm Mc Neil is up to no good again -- I loved it the last time -- with a new book of essays, titled Reflux. I take that to mean he's describing a metaphysical case of esophagitis. In other words, as a toddler of my acquaintance, pointing to the vomitus on her blouse, might say: I fwowed up! And then she laughs. And that makes me laugh. The book's subtitle? Some Things Just Won't Stay Down. The publisher is Apophenia, another term of metaphysical endearment. Apophenia is an imprint of Paraphilia Magazine, … [Read more...]

Malcolm Ritchie’s ‘small lines on the great earth’

Malcom Ritchie's 'small lines on the great earth' [Longhouse, 2014] (front cover)

... showed up in the mail. It's a pristine book of gem-like beauties, the poems finely cut and paired with the author's drawings. small lines on the great earth is divided into six sections. The section titles strung together make the perfect Malcolm Ritchie poem on their own. Like so: small lines on the great earth in these lines is my reclusion an iron fish rusts beyond this silence within each wave the dead cicada Longhouse Publishers & Booksellers, West Brattleboro, Vermont Malcolm Ritchie was born in London, in … [Read more...]

Nelson Algren on “the American writer” . . .

NELSON ALGREN [foto: Steve Deutch]

uh, before Amazon ... “The American writer as often as not is a middle-aged man with a wife and children, two or three books behind him, and eleven dollars in his pocket. He’s up against a conglomerate that deals in millions. He will take what they offer.” —– Nelson Algren, 1980 … [Read more...]