Cracking the Old Chestnut
The Moscow Ballet presents the Great Russian Nutcracker twice at the North Charleston (S.C.) Performing Arts Center next week.
I've seen it before. I didn't like it.
Not because it was performed poorly. This ensemble boasts world-class costumes and choreography. Its dancers are beautiful, graceful, poised, and powerful -- everything you'd expect from an esteemed Russian ballet.
What I didn't like was their interpretation.
After complaining to people who know a lot about dance, I was told to shut it. The Moscow Ballet's take is standard, up there with the best dance troupes in the world, like American Ballet Theatre and the Bolshoi Theatre.
I guess I'm in the minority. So what's new? Bottom line: In this version, The Nutcracker is a political message.
In the traditional interpretation, a young girl named Clara, led by her toy Nutcracker, helps defeat the Rat King. Then she gets to romp through a world of fairies, toys, candy, and more.
In this re-telling, though, a child's whimsy is turned into a Utopian fantasy. Warring factions stop fighting. All is peace and harmony.
Moreover, Clara, whose name is now Masha, is not a girl. She is a nubile teenager bashfully coming of age. And Drosselmeyer, who is typically her godfather, turns into a kind of matchmaker. He doesn't give her a toy nutcracker to play with. He gives her a strapping young lad in tights to play with instead.
One can't help noticing the sexual implications of Masha's new man-doll.
Which isn't the problem. What I disliked was the mushy we-are-the-world pap of the work's second half.
See, the first half builds up to the second: the dances of coffee, of chocolate, of tea, and so on. Then the climax: The Nutcracker Prince dances with the Sugar Plum Fairy. Clara's a kid. Having her watch all the exotic dances, and the grown ups dancing, makes sense.
But turning her into a teenager obscures all that. The Sugar Plum Fairy doesn't get the guy. Masha does. Meanwhile, the exotic dances become a multicultural love-fest, with each country getting its own mascot (sheep representing France, if that makes any sense).
I know, I know. But I don't like my Christmas stories transformed, oddly, into a make-love-not-war manifesto. Peace on Earth was enough for Jesus. Me, too.
Cross-posted on Unscripted
Bloggers We Love
Bridgette Redman and Lansing Theater
Drew McManus' "Neo Classical" at the Partial Observer
Marc Moss (Missoula, MT artist)
Mary Louise Schumacher's "Art City"
Other Great Sites
American Composers Orchestra
Arts & Letters Daily
Center for Arts and Culture
Cultural Policy and the Arts National Data Archive
National Arts Journalism Program
NEA Arts Journalism Institute for Dance Criticism
NEA Arts Journalism Institute in Classical Music and Opera
NEA Arts Journalism Institute in Theater & Musical Theater
New Music Box: American Music Center
USC Annenberg/Getty Arts Journalism Program
AJ BlogsAJBlogCentral | rss
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog