Partying with Artists
I'm going to depart from both of the two planned entries that I have in partial draft for today's post.
Instead of talking about weightier issues, I'm going to tell you about a party I went to last night. And if you'll bear with me, you'll see that it's not totally off subject for Flyover as the party had to do with both art and journalism.
The soiree took place at the historic Gem Theatre in downtown Detroit, in a beautiful section of the city near the new field for the Lions. More than 200 people packed into the cabaret-seating style theater enjoying a cocktail reception, a show, and then a dessert reception.
The show was the Oscar Wilde Award Night, sponsored and produced by a Detroit weekly, Between the Lines, to recognize excellence in local professional theater. The newspaper puts on an excellent party and representatives from the theater community from Detroit, Ann Arbor, Jackson, and Lansing turn out to celebrate.
The three reviewers from the newspaper reviewed 96 productions from 31 different professional companies. When announcing the nominations, Don Calamia, staff arts critic wrote:
For despite the second worst economy in the nation that seemingly kept a noticeable number of paying customers out of the seats and a governor who reneged on several million dollars of previously promised grant money, not one theater that Curtain Calls reviewed over the past few seasons shut its doors for financial reasons - despite numerous rumors to the contrary.
Instead, the Williamston Theatre set up shop in a sleepy little town near Lansing, and Who Wants Cake? snuck into Fabulous Ferndale with The Ringwald, a renovated home all its own. And StarBright Presents Dinner Theatre doubled its venues, one in southern Oakland County and another in northern Macomb County.
Call them crazy - and you wouldn't be the first - but these brave souls reflect the attitude of ALL Michigan thespians who believe the mitten state is a great place to live, work and raise a family - despite some major obstacles. So they stay and struggle - oftentimes for little money and even less recognition.
The staff at this newspaper understand their community and the environment it works in. More than one person expressed genuine surprise at receiving an award because, as they said, they didn't know anyone knew them. There was an amazement and gratitude that someone saw them and recognized their work.
For any in the journalism world who might wonder whether the arts community has noticed the cutback in arts coverage, let me share a moment with you. The master of ceremonies asked the newspaper's publishers to come to the stage to give out the publisher's award of excellence. Before the two women arrived at the lectern, the audience was on its feet, giving them a standing ovation. They recognized the commitment this newspaper has made to its art coverage and were eager to express their appreciation for it.
Earlier in the evening when I was talking to those same publishers about how thorough their arts coverage is, one of them said, "We're gay, we have to cover theater." A nearby actor came back with, "No, you don't have to, that's why it's great that you do."
Between the Lines is a newspaper that recognizes how vibrant the theater community is and how much coverage matters. Earlier this year, Calamia went to the publishers and said, "We need to do more." This from the critic who reviewed more than 70 shows, outstripping the two Detroit dailies and every other newspaper in that town. The publishers agreed with him. So they're soon launching Encore Michigan, a Website that will contain daily updates with new reviews every Monday morning.
Between the Lines is a shining beacon lighting the way to what is possible for newspapers to do. They demonstrate how to be part of the community while providing outstanding arts coverage. They understand their role in the ecosystem. While the artists may not always like what they say, they're grateful that someone is out there talking about their art, letting them know that they were heard, and telling others what is happening.
Bloggers We Love
Bridgette Redman and Lansing Theater
Drew McManus' "Neo Classical" at the Partial Observer
Marc Moss (Missoula, MT artist)
Mary Louise Schumacher's "Art City"
Other Great Sites
American Composers Orchestra
Arts & Letters Daily
Center for Arts and Culture
Cultural Policy and the Arts National Data Archive
National Arts Journalism Program
NEA Arts Journalism Institute for Dance Criticism
NEA Arts Journalism Institute in Classical Music and Opera
NEA Arts Journalism Institute in Theater & Musical Theater
New Music Box: American Music Center
USC Annenberg/Getty Arts Journalism Program
AJ BlogsAJBlogCentral | rss
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog