Theater and a sense of home
Perhaps one of the reasons the Flyover blog mission resonated with me so much is because theater has become so integrally connected with place in my mind.
Yes, theater is about art. I might argue, though, that it is more essentially about connection. While the primary connection may be between people, a strong tie exists between theater and place.
When people ask me, I say that my home is Lansing. This is despite the fact that I spent half my life in Westland. Westland is where I was born (well, OK, Garden City, but close enough), where I was raised, and where I met my husband. It's also where both my family and my husband's family lives still. Yet, even when I go back it is as a visitor and I no longer even think of it as "coming home."
The reasons for this are very much tied up in theater. Theater is what makes Lansing more than just a geographical place where I reside. It is what makes it home. It is the place where wherever I go, I'm going to run into someone I know despite being in a town of more than 100,000.
I do try to see theater when I travel and one of the things that I've discovered is that theater has a different flavor wherever I go--even when the same shows are being done. Much of that flavor comes from the audience and what the audience is giving back to the show. Anyone who has gone to see the same show multiple times will attest to the fact that every performance is different no matter how much the performers try to make it the same. It's different because each audience is different.
So it isn't surprising when communities become possessive about their theater--referring to it with possessive pronouns even when all the production efforts are done by individuals with little to no outside support. It's because the theater is part of what has turned their community from political boundaries on a map to a home where there is a shared memory of connecting with other individuals about what is important to them on a very local level.
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