Conrad L. Osborne, whose incisive critical scalpel cuts through present-day distractions and obfuscations with magnificent precision, has written another must-read blog: “The Racial Moment and Opera.” He begins by revisiting the memorable “Porgy Exchange” in this space – the PostClassical Ensemble zoom chat in which Conrad, George Shirley, and Kevin Deas opined that it … [Read more...] about “Porgy” and Race — continued
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The Artist and the State: Mexico and “Engineers of the Soul”
Advocating a more “civilized” United States – and simultaneously fighting a cultural Cold War -- John F. Kennedy implausibly proclaimed that only “free artists” functioning in “free societies” could produce important art. In the same breath, Kennedy denied the legitimacy of political art. Delivering words written by Arthur Schlesinger, he maintained: “If art is to nourish … [Read more...] about The Artist and the State: Mexico and “Engineers of the Soul”
Are Orchestras “Better than Ever”? — What Not to Tell a Young Musician
Two summers ago I had occasion to spend a week with gifted high school musicians at the Brevard Music Festival – an idyllic cultural retreat in the mountains of North Carolina. Jason Posnock, Brevard’s artistic administrator, is not only a superb violinist but a reader and thinker and believer in humanities-infused programing and pedagogy. Thanks to Jason, I was entrusted … [Read more...] about Are Orchestras “Better than Ever”? — What Not to Tell a Young Musician
“Redes” Lives! — The Iconic Film of the Mexican Revolution and what it says to us today
In his most important speech about the place of culture in the national experience, delivered at Amherst College mere weeks before his death, President John F. Kennedy said: “In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not ‘engineers of the soul.’ It may be different elsewhere. But democratic society -- in … [Read more...] about “Redes” Lives! — The Iconic Film of the Mexican Revolution and what it says to us today
The Arts in America — Is the Pandemic a Perfect Storm?
In 1987, my Understanding Toscanini was the most discussed, most reviled book about classical music to have appeared in recent memory. Its subtitle was “How He Became an American Culture-God and Helped Create a New Audience for Old Music.” I used Arturo Toscanini -- for decades, the most famous and influential classical musician in the US, hailed as a “priest of … [Read more...] about The Arts in America — Is the Pandemic a Perfect Storm?