This weekend's online "ArtsFuse" carries an interview with me by Aaron Cohen (reproduced below). I will be speaking about my recent novel "The Disciple" for the Wagner Society of New York on October 15 -- information here. I will be speaking about Wagner, Seidl, and Chicago for the Wagner Society of America on October 27 -- information here. The Disciple: A Wagnerian … [Read more...] about Anton Seidl and the Lost Promise of American Classical Music
Dudamel’s Mahler and the Classical Music Challenge
Having attended all eight programs Gustavo Dudamel conducted last season as the New York Philharmonic’s Music Director Designate (in order to turn them into a piece for The New York Review of Books pondering the perilous state of American orchestras), I had some idea what to expect from his Mahler Fifth these past two weeks. And the … [Read more...] about Dudamel’s Mahler and the Classical Music Challenge
“The Odyssey” and Hi-Tech Regression in Hollywood
[The following piece is reprinted from Boston's ArtsFuse online magazine.] Christopher Nolan’s The Odyssey has provoked a range of opinion. Among the most cited reviews is a condemnation by Emily Wilson, whose 2017 translation of Homer’s epic has enjoyed a surge in sales. From Wilson’s perspective, the film crudely fails to honor its source; she juxtaposes it … [Read more...] about “The Odyssey” and Hi-Tech Regression in Hollywood
American Music at 250 – Take 9: Can an Orchestra Still Embody the Soul of a City? Gustavo Dudamel and the New York Philharmonic
The current issue of “The New York Review of Books” includes my essay on state of American orchestras – and of Gustavo Dudamel’s “New York Dream.” A linked podcast (above) asks: Do Orchestras Still “Feel It”? How Can We Unleash the Untapped Artistic and Creative Potential of American Orchestral Musicians? Here’s an excerpt from my “New York Review” article, followed by … [Read more...] about American Music at 250 – Take 9: Can an Orchestra Still Embody the Soul of a City? Gustavo Dudamel and the New York Philharmonic
American Classical Music at 250 — Take Eight: Another Boston Symphony Perspective on the “Malaise” Afflicting Orchestras
The most frequent public respondent to my recent blogs about the long brewing crises now afflicting America’s major orchestras, James Orleans writes as a member of the Boston Symphony’s double bass section from 1983 to 2018. As I did on July 29, I am reproducing his comments in the main body of my blog lest they otherwise be overlooked. If our orchestras matter, so do the … [Read more...] about American Classical Music at 250 — Take Eight: Another Boston Symphony Perspective on the “Malaise” Afflicting Orchestras