BED, Bedlam (Blue Swing). BED is the acronym for vocalist Becky Kilgore, guitarist Eddie Erickson and trombonist Dan Barrett. The group also includes bassist Joel Forbes, but the name BEDJ wouldn't make much sense. What does make sense is Ms. Kilgore's sunny, flawlessly in-tune singing and the way … [Read more...]

Debra DeSalvo, The Language of the Blues (Billboard Books). From "Alcorub" to "Zuzu," Ms. DeSalvo combines solid research with humor, insight and straightforward description to explain the often arcane terms that populate blues songs. You may have an idea about the various meanings of "easy rider," … [Read more...]

The Heath Brothers, Brotherly Jazz (DanSun). Part documentary, part concert, this engrossing film about the celebrated Philadelphia brothers was shot a year before elder brother Percy Heath died in 2005. Their life stories are varied--Percy the fighter pilot who became a major bassist--Jimmy, the … [Read more...]

Sonny Rollins, Sonny, Please (Doxy). A canny balance between new compositions and show tunes he loved in his youth. The great tenor saxophonist proves that since 2001's Without a Song, and following the loss of his wife two years ago, his strength, imagination and intensity are undiminished. Steady … [Read more...]

Brian Lynch/Eddie Palmieri, Simpático (ArtistShare). Lynch, trumpeter for Eddie Palmieri, is the leader in this immensely satisfying album. He also works for Phil Woods and brings in both of his bosses as sidemen. At the piano, Palmieri ignites the proceedings spectacularly on Lynch's "The … [Read more...]

Alan Broadbent, Every Time I Think of You (Artistry Music). The pianist applies his keyboard elegance and arranging talent to an album featuring his piano, Brian Bromberg's bass, Kendall Kay's drums and a string section. Broadbent's treatment of "Blue in Green" is a highlight, as haunting in its … [Read more...]

Vic Juris, Corey Christiansen, Live at the Smithsonian Jazz Café (Mel Bay). Relaxation and amiable swing characterize two-and-a-half hours with the veteran Juris and the relative newcomer Christiansen. The guitarists are close listeners and thoughtful improvisers more concerned with line, chords … [Read more...]

Lee Tanner, The Jazz Image: Masters of Photography (Abrams). The veteran jazz photographer assembles under one roof 150 examples of the best work of twenty-seven of his peers. Many of the prints are familiar--Herman Leonard's image of Dexter Gordon and a cloud of backlit smoke at the Royal Roost, … [Read more...]

Diana Krall, From This Moment On (Verve). The pianist and vocalist returns to the mainstream with fine playing and singing on ten standards from the great American songbook and one by Antonio Carlos Jobim. Spare arrangements by Krall on four quartet tracks and John Clayton on seven with the … [Read more...]

Charlie Barnet, Town Hall Concert (HEP). As the swing era wound down, Barnet was one of the leaders hoping to keep big bands alive by pleasing the dancers while accomodating bebop developments. He had the right combination of elements; his adaptation of Elllingtonia, a smattering of bop-oriented … [Read more...]

The Jim Cutler Jazz Orchestra, In Progress (Pony Boy). Seattle seems to be breeding big bands. Cutler's is one of the best of the current crop. There's not a household name among the twenty-three musicians who appear in this stimulating collection of twelve originals and John Coltrane's "Dear Lord," … [Read more...]

Jazz on the West Coast: The Lighthouse (RoseKing). This is the story of the club that became headquarters for music that blew a fresh wind through jazz in the 1950s when Chet Baker, Bud Shank, Shelly Manne and Bob Cooper were among the new stars of West Coast Jazz. Much of the story is told through … [Read more...]

Sinclair Lewis, It Can't Happen Here (Signet Classics). One of the Nobel prize winner's most clumsily written novels, it nonetheless carries a timeless warning about how a leader able to manipulate the citizenry could quickly erode democracy's fragile stability. The totalitarian takeover that Lewis … [Read more...]

Sonny Rollins, Work Time (Prestige). This was recorded more than fifty years ago. It is forever new. At twenty-six, Rollins was full of energy and bursting with ideas. I have never listened to him soar through "There's No Business Like Show Business" and Billy Strayhorn's "Raincheck" without … [Read more...]

Brian Lynch, 24/7 (Nagel Heyer). I just caught up with this 2002 album. Lynch teams his trumpet with Miguel Zenon's alto saxophone. The two of them groove with a fine rhythm section of pianist Rick Germanson, bassist Hans Glawischnig and drummer Neal Smith. Everyone plays well on the originals by … [Read more...]

András Schiff, Beethoven Piano Sonatas, Volume II, op. 10 and 13 (ECM). If you are a jazz listener who doesn't cotton to what is often categorized as "classical" music, you have my sympathy because you won't be hearing this brilliant pianist in the second CD of his projected series of the Beethoven … [Read more...]

Jazz Shots From The East Coast, Vols. 1-3, Jazz Shots from the West Coast, Vols. 1-3 (EforFilms). The music on these discs is almost uniformly good. The video ranges from TV quality to grainy film, and no wonder; some of these clips are ancient soundies. There are great rewards here, but be warned: … [Read more...]

Vivian Perlis and Libby Van Cleve, Composers' Voices from Ives to Ellington (Yale). This is the book that took first place over Take Five: The Public and Private Lives of Paul Desmond in the Independent Publishers awards competition. But, no hard feelings, only gratitude for a hefty volume that … [Read more...]

One For All, The Lineup (Sharp Nine). I have groused often enough, maybe too often, about soundalike improvisers in the younger generations of jazz players. One For All have their audible influences but for the most part they are happy exceptions to the carbon copy rule. In addition, tenor … [Read more...]