Miroslav Vitous, Live In Vienna (MVD Visual). Another in the series of bassists playing at Porgy & Bess in Vienna. This time the star is Vitous, an erstwhile wunderkind of the double bass who arrived in New York from Czechoslovakia in the late sixties and quickly installed himself in the US jazz … [Read more...]

Andy Hamilton, Lee Konitz: Conversations on the Improviser's Art (Michigan). Unlike the overwhelming majority of books made up of verbatim interviews, this one works. Konitz's disarming candor about himself and others and Hamilton's organizational and writing skills transcend the form to create a … [Read more...]

Sue Raney, Heart's Desire: A Tribute To Doris Day (Fresh Sound). After too long, a new collection by a magnificent singer. See this Rifftides review for details. … [Read more...]

Tom Harrell, Light On (High Note). Another artist who takes his time between releases, the trumpeter and uncompromising composer is worth waiting for. Light On has nine new Harrell tunes, his deep solo explorations, the muscularity of Wayne Escoffery's tenor saxophone and a fine young rhythm … [Read more...]

Logan Richardson, Cerebral Flow (Fresh Sound New Talent). A twenty-seven-year-old Kansas Citian now living in New York, Richardson is an alto and soprano saxophonist with a song-like approach to improvisation, even at his edgiest. He and his equally adventurous quintet colleagues sustain interest … [Read more...]

Miroslav Vitous, Live in Vienna (MVD Visual, Quantum Leap). Another in the Quantum Leap series featuring bassists in club performance at Vienna's Porgy and Bess. This time, it's Vitous, the Czech bassist who materialized in New York in 1967 and quickly became embedded with leading players in the US … [Read more...]

Max Wilk, They're Playing Our Song (Da Capo). Wilk's survey of classic songwriters doesn't have the wisdom and analysis of Alec Wilder's American Popular Song. Still it's a minor classic full of wonderful anecdotes about two dozen of the people who brought you the great American songbook, among them … [Read more...]

Bill Charlap Trio, Live at the Village Vanguard (Blue Note). Pianist Charlap, bassist Peter Washington and drummer Kenny Washington, the most publicized mainstream jazz trio of the decade, live up to their billing. Managing smoothness without sacrificing depth and daring, Charlap illuminates the … [Read more...]

Darrell Grant, Truth And Reconciliation (Origin). With bassist John Pattitucci and drummer Brian Blade giving him solid underpinning throughout, pianist Grant includes four guest soloists in this two-CD profession of his humanist philosophy. He brings in the recorded voices of Mahatma Ghandi, Martin … [Read more...]

Kristin Korb, Live in Vienna (Quantum Leap). Jay Leonhart wrote a song called "It's Impossible to Sing and Play the Bass." Kristin Korb didn't get the message. This video disc recorded at Vienna's Porgy and Bess presents Korb in a trio with club regulars pianist Fritz Pauer and drummer John … [Read more...]

Bud Powell, Dollar Brand, Don Cherry & Others, Jazz In Denmark (Marshmallow). The centerpiece of this limited edition import is Stopforbud, a film about Powell made in 1962 by a pair of young Danes. Powell's piano is heard throughout, although we only briefly see him playing. With a New Wave … [Read more...]

Safford Chamberlain, An Unsung Cat: The Life and Music of Warne Marsh (Scarecrow). Researching aspects of the Lennie Tristano school recently, I unshelved Chamberlain's biography of Marsh for the first time in years. I was impressed all over again by Chamberlain's research, the quality of his … [Read more...]

The Bill Holman Band, Hommage (Jazzed Media). On the verge of his eightieth birthday, Holman retains the energy, wit, freshness and multi-layered conception that have made him a standard-setting arranger for fifty years. "Hommage á Woody," is a three-part suite that captures aspects of Woody Herman … [Read more...]

Anat Cohen, Poetica and Noir (Anzica). Two new CDs illuminate several facets of the remarkable Israeli reed artist who has become a star of the New York jazz scene. In Poetica, she plays only clarinet, with a rhythm section on some tracks, a string quartet on others. In Noir, with a medium-sized … [Read more...]

Roland Kirk with Jack McDuff, Kirk's Work (Prestige). This reissue in the Rudy Van Gelder Remasters series presents Kirk long before he added "Rahsaan" to his name, before he became famous, when he was a tornado roaring out of the Midwest playing three saxophones at once, whistles, flute and siren … [Read more...]

Chicago Underground Trio, Chronicle (Delmark). The music is from the trio's Delmark CD of the same name. The latest expression of the avant garde Chicago cornetist and composer Rob Mazurek, it is alternately explosive and reflective and somehow leaves the listener with a sense of calm. The video by … [Read more...]

Richard Cook, It's About That Time: Miles Davis On and Off The Record (Oxford). Yes, another book about Miles Davis. Neither a biography nor a discography, Cook's book has elements of both. The best way to read it is sitting next to your CD player with the fourteen Davis albums Cook analyzes as … [Read more...]

The Cannonball Adderley Quintet In San Francisco (Riverside). This is the 1959 recording that made Adderley and his band famous and the Riverside label a stable enterprise. It is one of five albums inititating a new series of recordings overseen by Orrin Keepnews, now well into his second … [Read more...]

Jack Reilly, Pure Passion (Unichrom). In his mid-seventies, Reilly continues on his independent way as a pianist inspired by many predecessors but shaped by his own expansive harmonic vision. In several of his CDs, I have heard no more ravishing expression of that vision than in his radical, utterly … [Read more...]