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The Prado Goes To Santa Fe

In recent years, the Prado has gotten more and more ambitious, and good for it–especially with international activities, some of which (like loans and a partnership with the Meadows Museum [see here and here]) I have written about on this blog. Now it is doing something with a populist twist, and I love that too–from […]

SF MoMA, Snohetta and the Fisher Deal

I was just in San Francisco, and finally able to make my first visit to the new, expanded version of the San Francisco Museum of Modern Art. It didn’t change my view of the outside of the new Snohetta-designed addition, but I came away very impressed with the galleries created inside. And my first full […]

The Met: What Happens Next, Part Two

As I indicated in yesterday’s post, the Metropolitan Museum of Art* is in for a bit of a rough patch–but let’s not overdo it (as some people have). The Met’s exhibitions program–its core–is still packed with excellent offerings. Great curators still want to work for the Met–or will, once things settle down. It goes without […]

The Met: What Happens Next, Part One

Tom Campbell’s forced resignation from the top post at the Metropolitan Museum of Art* yesterday was both expected and shocking at the same time. Given the museum’s financial woes–most of which Campbell is responsible for–and internal morale, especially among curators–ditto–he could not last. He is just 54, and normal retirement would be years away. Campbell […]

Uh-Oh: Trouble at the Brooklyn Museum?

I’m not sure, but I just received an email announcing that Nancy Spector, who had joined the Brooklyn Museum* just last April as Deputy Director and Chief Curator, is moving back to the Guggenheim Museum–from whence she came. At the Guggenheim, she will be in a “new position” as Artistic Director and Chief Curator. Her […]

American Art Benefits: A Little Noticed $100 Million Gift

Everyone I know is reading more news these days–until they give up and decide to avoid news altogether. Either way, some good news in the art world is not getting enough attention. Last week, for example a $100 million gift to Colby College Museum of Art came and went with barely any notice. Therefore, I’m […]

In Philadelphia: Revolutionary Art

In today’s New York Times, I wrote about the conservation and erection of George Washington’s surviving field headquarters tent. a fragile thing, as you may well imagine. It was published in the print edition under the clever headline Washington Plotted Here. Online, the headline is Where George Washington Slept (Perhaps Not Well). That in itself […]

What Goes With Gouthiere?

Why Marivaux, n’est ce pas? A year ago, many of us had never heard of, or heard much about, Pierre Gouthiere, the master gilder many of whose works are now on display at the Frick Collection. But now we know him, at least a little. The exhibition, on view for another few weeks, presents clocks, vases, firedogs, wall […]

A New One on Me: What To Call Art

Branding is important, and language matters. Let’s start from that point. Last fall, I was privileged to speak to the Private Art Dealers Association, which used to be made up largely of Old Master dealers, about getting more people interested in the art they sell. And language came up. Apparently, some people today don’t want […]

What About The “Art Strike”? It’s Not So Simple

A group of artists, critics and gallerists have called for an art strike on Jan. 20. Inauguration Day. Names like Cindy Sherman, Barbara Kruger, Julie Mehretu, Richard Serra, Joan Jonas and Lucy Lippard have asked for a shutdown of museums, galleries, studios, etc. (see picture) They have every right to do so, and I have […]

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