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Performance Monkey

David Jays on theatre and dance

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My week with swans

May 25, 2018 by David Jays Leave a Comment

I’ve spent a week thinking about swans. Ballet swans, mostly, with feathery bodies, aching hearts. Last Thursday, Liam Scarlett’s richly imagined Swan Lake opened at the Royal Ballet, replacing a 31-year-old version and offering an opportunity to rethink the way the story is told. I took part in some of the events the Royal Opera House held in its wake – interviewing artists, facilitating … [Read more...]

Never forget

April 20, 2017 by David Jays Leave a Comment

What lingers from what you see at the theatre? Alarmingly random things, in my case. And, as I grow older, alarmingly distant things. Chatting with a friend yesterday evening, it turned out we’d both seen the same RSC production of King Lear as teenagers and between us could name most of the cast. We could probably do you the storm scene at a push. What I saw last week? Not so clear. In fact, … [Read more...]

Risk management

April 6, 2016 by David Jays Leave a Comment

New ballets are risky endeavours, requiring significant investment in talent, time and money. Yet do classical companies give them the best chance to shine? Performance Monkey asks companies around the world about previews, rehearsals and revivals. How do you create a ballet with legs? One that will appeal to audiences, satisfy dancers and find a lasting toehold in the repertoire? The question … [Read more...]

Coming into land

February 14, 2016 by David Jays 2 Comments

Shouldn’t ballet have previews? Wouldn’t it help dancers and choreographers alike? As with most bad things, the money says no. Ballets have short runs, so you slap ’em on stage and get reviews and publicity whirring at the earliest opportunity. Good for box office and bar takings, but how about the art? A triple bill by a living choreographer is a rarity at the Royal Ballet, usually only … [Read more...]

Scarlett fever

November 17, 2014 by David Jays Leave a Comment

Liam Scarlett’s The Age of Anxiety at the Royal Ballet Three guys and a gal walk into a bar. It’s a set up for a gag, a murder, or perhaps an Edward Hopper painting. And now a ballet – Liam Scarlett’s The Age of Anxiety, newly premiered by the Royal Ballet in London. It is another absorbing, tantalising piece by a prolific yet puzzling British choreographer. The one-act ballet, centrepiece … [Read more...]

David Jays

I am a writer and critic on performance, books and film and currently write for, among others, the Sunday Times and the Guardian. I edit Dance Gazette, the magazine of the Royal Academy of Dance. I’m also a lifelong Londoner: it’s the perfect city for connecting to art forms that both look back and spring forward. [Read More]

Performance Monkey

This is what theatre and dance audiences do: we sit in the dark, watching performances. And then, if it seems worth it, we think about what we've seen, and how it made us feel. The blog should be a conversation, so please comment on the posts and add your thoughts. You know what I've always … [Read More...]

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