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David Jays on theatre and dance

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Propwatch: the kettle in The Doctor

September 3, 2019 by David Jays Leave a Comment

Is a home without a kettle even a home? ‘Oh David, such a homemaker,’ sighed a visitor to my spartan university room, softened only by a kettle and the complete Arden Shakespeare. But the kettle was hospitality and self-care for a scaredy-cat student; even today it amplifies (and, on grouchy days, paves the way back towards) connection. A kettle is the first step towards home. In The Doctor – … [Read more...]

Propwatch: the watches in Hamlet

February 28, 2017 by David Jays 1 Comment

‘You’re back again?’ said the friend-of-a-friend usher at the Almeida when I arrived for Hamlet. She was mistaken. The insanely awaited production starring Andrew Scott is so very sold-out that buying even one ticket felt like a triumph. And, at nigh-on four hours, I was sure once would be fine. Nah-uh: Scott’s performance and Robert Icke’s production are a blanket of revelation. I arrived … [Read more...]

Propwatch: Richard III’s spine

August 5, 2016 by David Jays 1 Comment

When archaeologists excavating a Leicestershire car park in 2013 uncovered a battle-scarred skeleton, the emergence of its severely curved spine was the first strong indication that these were the remains of Richard III: England’s most notorious monarch, Shakespeare’s irredeemable villain. Further research and DNA testing supported the archaeologists’ theory: hitting a nerve at the juncture of … [Read more...]

Propwatch: the invisible chairs in Boy

May 15, 2016 by David Jays Leave a Comment

Our chat before Boy began was all about the travelator. The Almeida Theatre has been reconfigured for Leo Butler’s play to allow a moving walkway to snake around the space. Actors were already sitting, gliding past and waiting for something to happen (the play opens in a GP’s waiting room). But how are they sitting? It took us a minute to realise that there were no chairs on the travelator. … [Read more...]

Tralalalala

April 29, 2015 by David Jays 1 Comment

What’s the most haunting moment of Carmen? The rousing toreador’s song? One of the stompy dances? Carmen’s own teasingly lush habanera? Maybe. Or maybe it’s the wordless, taunting snatch of melody with which Carmen taunts Don José – the soldier already in thrall to her, dick and epaulettes caught in a hopeless struggle. ‘Tralalalala,’ she hums, as if to herself. ‘Tralalalala.’ It the perfect, … [Read more...]

David Jays

I am a writer and critic on performance, books and film and currently write for, among others, the Sunday Times and the Guardian. I edit Dance Gazette, the magazine of the Royal Academy of Dance. I’m also a lifelong Londoner: it’s the perfect city for connecting to art forms that both look back and spring forward. [Read More]

Performance Monkey

This is what theatre and dance audiences do: we sit in the dark, watching performances. And then, if it seems worth it, we think about what we've seen, and how it made us feel. The blog should be a conversation, so please comment on the posts and add your thoughts. You know what I've always … [Read More...]

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  • Veronica Horwell on Hamilton | Lockdown Theatre Club 17: “Know what you mean about the underpowered pre-17late90s shoulder: a bottle slope approach to body outline — the Hamilton coats…” Jul 8, 13:41
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