Suddenly I felt
while massaging my skin
the skeleton within. …
Artists of ‘Harlem Renaissance’ at Metropolitan Museum
Glad I got to the Met for a glimpse before it becomes hotter ‘n hell. Although the museum was jammed, the show itself was comfortable. It was also much larger than I expected. I hadn’t realized how many accomplished painters there were among the Harlem group. For example, I had never heard of Archibald Motley Jr. who I thought pretty much sets the exquisite tone of the show, though by no means exclusively.
Käthe Kollwitz at MoMA
Finally got to see this intimate, brooding retrospective.
‘The Highest and Most Difficult Achievement of Art’
“… is not to make us laugh or cry, nor to arouse our lust or rage, but to do what nature does — that is, to set us dreaming. The most beautiful words have this quality. … They are as motionless as cliffs, stormy as the ocean, leafy, green and murmurous as forests, forlorn as the desert, blue as the sky.” — Gustave Flaubert
New York City Opera
Outdoor Puccini Celebration in the Heart of Manhattan
Huge crowds turned out for two boffo evenings of concert excerpts from Puccini’s operas. It was part of Bryant Park’s free, summer Picnic Performances. Music was provided by New York City Opera, “famously dubbed ‘The People’s Opera’ by Mayor Fiorello LaGuardia at its founding in 1943.'” I attended on a beautiful, balmy Saturday evening.
‘Tucked among the illustrious dead . . .’
‘… but still preposthumous, which I prefer to post mortem.’ — jh
That is Brion Gysin pictured on the cover of BEAT SCENE magazine.
Charles Plymell Takes Stage for New and Selected Poems
Plymell has as much in depth to say about death as Hemingway did and a lot more to say about it in terms of the present generation stillborn into a world that can offer nothing. — William S. Burroughs Plymell and his friends inventing the Wichita Vortex contribute to a tradition stretching back from Lamantia […]
Here to Entertain You
My staff of thousands is curious to know whether the music is actually being played or dubbed.
Recalling the Fierce Beliefs of Oriana Fallaci
The widespread episodes of pro-Palestinian antisemitism on American college campuses calls to mind an old blogpost about European antisemitism.
“I find it shameful,” Fallaci begins, “that in Italy there should be a procession of individuals dressed as suicide bombers who spew vile abuse at Israel, hold up photographs of Israeli leaders on whose foreheads they have drawn the swastika, incite people to hate the Jews. …”
‘There he was in a dream . . .’
“He gives me a manuscript
on elegant stationery
with a letterhead of
raised black lettering
in typeface rare & delicate.
He’s terminal. We both
know it. …”
Álvaro Mutis on the Real Nowhere Man
“From his essential dullness,, his useless, worn-out gestures, his equivocal, tenacious desires, his ‘nowhere,’ his walled-in yearning to communicate, his continuous laughable travels, his raising his shoulders like a hungry ape, his conventional, fearful laughter, his impoverished litany of passions …” Or as The Beatles sang it, “He’s a real nowhere man …”
Over the Stage of Kansas
A Lifetime of Charles Plymell’s Inspired Poetry
![Charles Plymell [photo by Gerard Malanga]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2015/07/Charles-Plymell-photo-by-Gerard-Malanga-e1437239454525.jpg)
UPDATED. The overwhelming number of comics, little magazines, books, posters, and all sorts of poetry and radical literature that Charles Plymell has printed during the last half-century is too many to count. All that time he was writing inspired poetry and prose of his own and having it published by a flock of small presses. Now in old age — he turns 89 today — Plymell is getting significantly renewed attention for his poetry with the release of “Over the Stage of Kansas: New & Selected Poems 1966-2023.” To celebrate the book, he will give a reading on May 18 in Hudson, New York. It’s bound to be a grand occasion.
Willem de Kooning On Escaping the Formulaic
Since today is the 120th anniversary of Willem de Kooning’s birthday, I am reminded by my staff of thousands of his fervent efforts “to break the willed articulation of the image.” Which, as it happens, is not dissimilar to the goal of the cut-up procedure in writing, intended by Brion Gysin and William Burroughs to free the mind and language itself from preconceived formulations. Nor is it a bad follow-up to yesterday’s blogpost about “Cut Up or Shut Up.”
Beat Scene
All About Cut Up or Shut Up (and Weissner, Ploog & Me)
Kevin Ring, the indefatigable editor of Beat Scene magazine, emailed me a few months ago to ask about the new reprint of “Cut Up or Shut Up” released by the German publisher Mokolo Print in a facsimile edition in English with a new cover design by Robert Schalinski and a modest intro by yours truly. Ever curious about all things Beat, Ring wanted to know the back story of the book’s origin and development. Et voilà!
Influenced by Limitations of a Lifeboat in a Tidal Wave
Before I needed to earn a living from writing, I was a member of the avant-garde — fervent and full of high opinion. The other day I came across a typescript of “Synchronic Non-Causative Agent,” an unpublished paper of mine written more than half a century ago. Reading it over, I got the bright idea of posting it here despite its age.
A Marathon Reading
Gertrude Stein’s The Making of Americans
My staff of thousands thinks of it as the “Moby-Dick” of modernism.
Something to Surprise You: Everywhere You Look
A. Robert Lee is such a prolific author in both his creative and academic books that I won’t try to characterize his writings other than to say they invariably illuminate life and literature with a wealth of scholarship, intelligence, and linguistic mastery. I will add, however, that his sense of humor is one aspect of his writings that I most treasure.