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Power Malu Shines at 2019 Ackers

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The honorees at the 2019 NY Acker Awards made some terrific statements about the history of the Lower East Side and their commitment both to the community and to the arts, but a rap performance by Power Malu about the devastation in Puerto Rico, where people are still struggling to recover from Hurricane Maria and from the Trumpistan government’s failure to provide proper help, was the most notable of the evening.

2019 NY Acker Awards Held at Theater for the New City

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The Acker Awards, now in their sixth year, are a tribute given to members of the avant-garde arts community who have made outstanding contributions in their discipline in defiance of convention, or else served their fellow writers and artists in outstanding ways. The award’s novelist namesake, in her life and work, exemplified the risk-taking and […]

‘Miriam, Part 2, The Chair’

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“A woman trapped in domestic boredom moves toward a nervous breakdown.  Institutionalized, she  attempts to create a performance for a shortly expected visit from her children, but  can find no words to express her feelings.  She discovers she has no language of her own and recedes more and more into silence.  Only her instrument can serve as an expression of her […]

‘So Much Sour Salami’

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Frank Scully, a long-forgotten journalist, was recalling the first time he met Luigi Pirandello in Paris in the cocktail lounge of a movie theater on the Champs Elysée. It was well before World War II, but he could have been writing about the here and now in Trumpistan. Pirandello was “on the lam from his […]

‘Aletheia’ to Tour Northeastern U.S.

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Composed by William Osborne for singer-instrumentalist, computer-controlled piano, and quadraphonic electronics, “Aletheia” is a music theater work featuring the solo performance of Abbie Conant as the title character. Osborne writes, “Aletheia is an opera singer who is delighted that she has been asked to perform for an opera gala. She only needs to go down […]

Acker Awards to Honor One-of-a Kind Artists

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I don’t know what the late Kathy Acker would think of an award given in her name to non-conforming artists. I assume an experimental punk novelist and poet would like the idea of supporting artists who don’t conform. Although awards are besides the point especially for non-conformists, they do generate publicity. And unless I’m wrong, […]

‘Just Like Real Life’

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William Cody Maher & Signe Mähler “two people who have been living together for a long time have learned how to live together with the objects and the thoughts and the feelings that they have had for each other and when the thoughts and feelings and the rooms and the objects change and even the […]

‘After the Revolution’: Heathcote Williams as Playwright

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Jay Jeff Jones writes in London’s Theatre Record: Like [Jeff] Nuttall, Williams was multi-talented and constant in his espousal of utopian anarchy. He was as uncompromising as he was compassionate; an intellectual force that alternated poetry and playwriting with direct action for causes that included the homeless, battered women and the environment. His first major […]

Opera: America’s War Without End

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Anthony Haden Guest calls “The Plain of Jars” — a chamber opera by Keith Patchel about America’s secret war in Laos — “the lineal descendant of Stravinsky’s ‘Nightingale’ and Alban Berg’s ‘Lulu’ and ‘Wozzeck.’” I haven’t seen it yet, but my staff of thousands tells me it “exposes the wounds caused by America’s use of […]

Music Theater Where Truth Can Appear

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The last time we looked it was a work in progress. That was a year ago. William Osborne and Abbie Conant had been working on it for so long, Osborne said at the time, that it felt like “forever.” But now their music theater chamber piece is about to get its world premiere. The name […]

Squatting at The Bunker in London

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Cycle One (previews begin April 17) ‘Slummers’ by Sonal Bhattacharyya ‘The Ruff Tuff Cream Puff Estate Agency’ by Heathcote Williams with Sarah Woods ‘Back to Back to Back’ by Stef Smith Cycle Two (previews begin April 18) ‘The Table’ by Lin Coghlin ‘Put The Schwarzes Into De-Stat’ by Nessah Muthy ‘The House With the Yellow […]

Love That Irish Brogue

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Are there any video promos for a play as inviting as this one for “The Pigeon in the Taj Mahal”? An exchange of comments: To my ears, Irish is the most beautiful English, an impression reaffirmed by three long bicycle trips through the West of Ireland. How did a country with half the population of […]

Where Black Lives Did Not Matter

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Headline: ‘A Tender Bond Confronts Racism. Racism Wins.’ One can only hope that headline does not apply to the outcome of today’s U.S. elections. In the many years I spent on Grub Street writing about the theater, Athol Fugard and the plays I saw of his stand out in memory for their eloquence and humanity. […]

A Music Theater Work in Progress

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Truth, or at least the effort to capture it, can be problematic. William Osborne and Abbie Conant have been working for several years on “Aletheia,” a music theater chamber piece for performance artist and digital piano. It feels like “forever,” he says. “The deeper we go the slower it reveals itself.” The ambition of the […]

‘Buried Child’ Surfaces in New Revival

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Sam Shepard recently referred to “Buried Child” as “the same clunky play” it always was, rewrites notwithstanding. That’s Shepard being candid. That’s Shepard being Shepard. Never mind that awkward dramaturgy and a little too much speechifying dialogue didn’t keep the play from winning the 1979 Pulitzer Prize for drama or Shepard from being declared the […]

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