“From his essential dullness,, his useless, worn-out gestures, his equivocal, tenacious desires, his ‘nowhere,’ his walled-in yearning to communicate, his continuous laughable travels, his raising his shoulders like a hungry ape, his conventional, fearful laughter, his impoverished litany of passions …” Or as The Beatles sang it, “He’s a real nowhere man …”
Over the Stage of Kansas
A Lifetime of Charles Plymell’s Inspired Poetry
![Charles Plymell [photo by Gerard Malanga]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2015/07/Charles-Plymell-photo-by-Gerard-Malanga-e1437239454525.jpg)
UPDATED. The overwhelming number of comics, little magazines, books, posters, and all sorts of poetry and radical literature that Charles Plymell has printed during the last half-century is too many to count. All that time he was writing inspired poetry and prose of his own and having it published by a flock of small presses. Now in old age — he turns 89 today — Plymell is getting significantly renewed attention for his poetry with the release of “Over the Stage of Kansas: New & Selected Poems 1966-2023.” To celebrate the book, he will give a reading on May 18 in Hudson, New York. It’s bound to be a grand occasion.
Willem de Kooning On Escaping the Formulaic
Since today is the 120th anniversary of Willem de Kooning’s birthday, I am reminded by my staff of thousands of his fervent efforts “to break the willed articulation of the image.” Which, as it happens, is not dissimilar to the goal of the cut-up procedure in writing, intended by Brion Gysin and William Burroughs to free the mind and language itself from preconceived formulations. Nor is it a bad follow-up to yesterday’s blogpost about “Cut Up or Shut Up.”
Beat Scene
All About Cut Up or Shut Up (and Weissner, Ploog & Me)
Kevin Ring, the indefatigable editor of Beat Scene magazine, emailed me a few months ago to ask about the new reprint of “Cut Up or Shut Up” released by the German publisher Mokolo Print in a facsimile edition in English with a new cover design by Robert Schalinski and a modest intro by yours truly. Ever curious about all things Beat, Ring wanted to know the back story of the book’s origin and development. Et voilà!
Influenced by Limitations of a Lifeboat in a Tidal Wave
Before I needed to earn a living from writing, I was a member of the avant-garde — fervent and full of high opinion. The other day I came across a typescript of “Synchronic Non-Causative Agent,” an unpublished paper of mine written more than half a century ago. Reading it over, I got the bright idea of posting it here despite its age.
A Marathon Reading
Gertrude Stein’s The Making of Americans
My staff of thousands thinks of it as the “Moby-Dick” of modernism.
Genesis of a Poem
All That Would Ever After Not Be Said
In 1952, when the late Gabe Pressman (dean of New York City’s local TV press corps) was a young staff writer at the New York World-Telegram & The Sun, he came across a story tipped to him by a woman from Montreal who’d taken a cab ride in midtown Manhattan. This was the human-interest feature he wrote up. And this is the poem it generated many decades later.
Term It Op Art or Visual Poem
This Is a War Protest in Red and Black
Created by Polish artist Barbara Galinska.
Shadow Words
London Literary Critic Calls Them ‘Dark Diamonds’
‘These poems are free sonnets of experience that even Blake would favor. They are tears for the tongue to be savoured once tasted, and like a drop for the eye, ear, or mind, they restore perception to its rightful place. They are dark diamonds.’ — David Erdos, MÜ Magazine, London
Book Thief
Nothing like some biblioklept mischief to brighten the day.
‘I have stolen books
from friends and family
books they never cared for
books they never read. . . ‘
‘Selected Catastrophies’ from Beiles’s Sacred Fix
‘Sacred Fix’ was published in 1975. ‘Selected Catastrophies’ is the fourth section of the book. The author is an incandescent South African poet, who died in 2000. The poem begins:
“society!
I will not support you
when you shed your hideous electronic disguises
and stagger through the alleyways of oblivion
looking for shelter.
o society you betrayed me
with your promises of paradise . . .”
‘The trick is to get out of your own dead body …’
Cold Turkey Press continues to publish handmade posters printed in editions limited to 36 copies, specializing in avant-garde poets and artists of the past as well as the present. Here is one of the latest, LUDION’S LAMENT.
‘The trick is to get out of your own dead body in one piece. One quick hard twist and you’re out. Next, you turn black all over and taper at the extremities.’ — Roger Gilbert-Lecomte
Downtown Scene
Reclusive Artist Elsa Rensaa Spreads Her Wings
The New York gallerist James Fuentes is presenting Elsa Rensaa’s paintings in a two-part exhibition: OUT OF THE WILDERNESS AND INTO THE BLUE. “Her paintings, rendered with meticulous applications of thin acrylic washes,” he says, “bring forth lush, syncretic visual portals. They draw from a vast and visionary range of references, including Ancient Nordic, Egyptian, and Eastern imagery, in addition to Renaissance, Art Nouveau, and Dada art movements, with a Lower East Side iconography that is distinctly recognizable as Rensaa’s own.”
Making a Living as a Writer Was Never Easy, But …
When I was a salaried reporter, I did pretty well over the course of more than two decades at three major metro dailies in Chicago, New York, and Los Angeles. It always helped to get freelance work, however.
Carl Weissner Letter to Sinclair Beiles
On the Hitlerology of ‘the Biggest Rat of Them All’
I’ve come to the conclusion that my computer is great at hiding things from me. What prompted me to think so is a letter I came across that I didn’t know I had since it had never turned up before. My great good luck is that I found it by accident, and greater still is that anything written by Carl Weissner is a delight to read. The recipient of the letter (if in fact Carl ever mailed it) was Sinclair Beiles, himself a writer of no small humor. (Fans of William Burroughs will recognize the reference to one of his notorious fictional characters).
Make of It What You Will
Other Minds Always Offers a Musical Change of Pace
Thirty-one years after its founding, Other Minds, the brainchild of Charles Amirkhanian and Jim Newman, is still going strong as a presenter of experimental contemporary music with an emphasis on “the most original, eccentric, and underrepresented creative voices.” Here’s a presentation of Linda Bouchard and the Ensemble TriOcular+.
Mashup of Amanda Gorman and Bach at Carnegie Hall
If I had been asked who would be the main attraction of Saturday night’s Carnegie Hall mashup between the poet and the composer, my guess would have been Amanda Gorman. I would not have guessed it would be the cellist Jan Vogler. As it turned out, however, his performance of three of Bach’s cello suites, more or less interrupted by Gorman’s rap-inflected poetry, made him the star of the show.