Michael Butterworth started writing short fiction in 1966 for the British science-fiction magazine New Worlds when its editor was Michael Moorcock. He was one of the younger exponents of that New Wave of science fiction, as the movement became known, and he continued contributing to New Worlds until the editions most closely associated with Moorcock came to an end in 1979. Now he has two new books out that collect the fiction of those early years which he had thought “lost for good.”
Power Malu Shines at 2019 Ackers
The honorees at the 2019 NY Acker Awards made some terrific statements about the history of the Lower East Side and their commitment both to the community and to the arts, but a rap performance by Power Malu about the devastation in Puerto Rico, where people are still struggling to recover from Hurricane Maria and from the Trumpistan government’s failure to provide proper help, was the most notable of the evening.
‘Prisoner: Come Out!’
“In the beginning was the Word—been in You for a toolong time.I rub out the word. You in the Word and the Word in You is a word-lock like the combination of a vault or a valise. If you love your vaults, listen no further. I spin the lock on your Interior Space Kit. Prisoner: Come Out!” — Brion Gysin
City Lights: The Little Bookshop That Could
As San Francisco prepares to celebrate Lawrence Ferlinghetti’s 100th birthday on Sunday, City Lights Books will be the focus of much attention. The little paperback bookshop he launched in 1953 is now so large that it occupies an entire block of storefronts and doubles as a North Beach tourist attraction. This is what the storefront […]
2019 NY Acker Awards Held at Theater for the New City
The Acker Awards, now in their sixth year, are a tribute given to members of the avant-garde arts community who have made outstanding contributions in their discipline in defiance of convention, or else served their fellow writers and artists in outstanding ways. The award’s novelist namesake, in her life and work, exemplified the risk-taking and […]
Ferlinghetti: ‘Pity the Nation Whose Leaders Are Liars’
Lawrence Ferlinghetti must be wondering what all the fuss is about. After all, he’s only going to turn 100 on Sunday. What’s the big deal? I’m betting he would prefer that people take note of his twelve-year-old poem: “Pity the nation whose people are sheep . . .”
Patchel’s ‘Plinkout’
Keith Patchel, a New York-based composer and producer, has created a free online/mobile application called Plinkout, which he is touting as “the easiest way to teach anyone,” especially kids, how to play an instrument as well as how to learn “the core cognitive ideas of music.” He’s looking for funding to complete his project, and […]
Cold Turkey Press: ‘Ikkyū Sojun Nine Poems’
The Rinzai Zen master Ikkyū Sojun (1394-1481) was a poet, musician, artist, and rebel. He led a life of whoring and drinking. “Sex became a transcendental and sacred act,” Malcolm Ritchie writes in an afterword to this chapbook. Ikkyū’s poems —”often erotic, argumentative, contradictory, judgmental, self-doubting, and occasionally shaded with guilt”—are still as startling as the day they were written.
Shulman’s ‘Age of Disenchantments’ Has Arrived
Aaron Shulman’s collective biography of the Spanish Panero family, The Age of Disenchanments—just out from Ecco— has a cast of dramatic characters that is nothing less than stunning. “No one’s ever told their story in English, and only in fragments in Spanish,” Shulman says.
Nancy & Sluggo Get Twisted
In a world where the difference between appropriation and exploitation can be hard to figure, Gary Lee-Nova’s devotion to the cartoonist Ernie Bushmiller makes all the difference. “I’m beyond being in love with his work,” says the author of these panels. “Although he passed in 1982, I feel like I’m collaborating with him.”
From ‘The White Poems’
‘This emptiness is my private lair. / It confines me like a clubman’s chair. / I am free of desire. / I don’t mind being here either.
Bombing the Culture
‘Culture, being the broad effect of art, is rotundly irrational and as such is perpetually operating against the economic workaday structure of society. The economic structure works towards stasis centered around static needs. It is centripetal. Culture forces change centered around changing appetites. It is centrifugal.’ — Jeff Nuttall
Far Out Wasn’t Far Enough
The artist Tomi Ungerer has died at the age of 87. He was “a lifelong activist who protested against racial segregation, the Vietnam war and the election of US President Donald Trump . . .” Speaking about himself as an artist, Ungerer said, “I have the full respect of a piece of white paper, which I then shall rape with my drawing or my writing. When I draw, it’s the real me.”
‘Beyond the Vanishing Points …’
This old cartoon strip by Gary Lee-Nova has a black Sluggo, and it’s a form of appropriation art. Will that cause a storm of viral outrage?
Deformed Sonnets for My Old Friend
The artist Norman Ogue Mustill was an extreme dissenter. Nothing pleased him more than reaming out the human race. His collages stopped you dead with their vicious satire, like the writings of William S. Burroughs, and for technical precision Max Ernst didn’t do better. But Mustill is little known, his work unseen, his praise unsung. […]
Auschwitz & the Art of Advertising
Something was horribly wrong with the full-page ad for an upcoming exhibition about the Auschwitz death camp. It appeared yesterday on Holocaust Remembrance Day. I know the folks behind the ad meant well. But really . . . Auschwitz and the art of advertising are a nauseating mix. Here’s the unthinking kicker which caught my […]
Cold Turkey Press: A Bibliography
I don’t know exactly how many chapbooks, folios, broadsides, and poetry cards Cold Turkey Press has published. I never counted. But it must be in the hundreds. All of them—produced in handmade, illustrated, and limited editions—are unique manifestations of their publisher’s mind: scholarly without being academic, exotic but not obscure. They constitute an archive that […]